Concept

Focal length — where it appears

The distance at which a lens or mirror brings parallel rays together, and the single number that fixes where every image falls. For a thin lens it is set by the two surface curvatures and the index, and its reciprocal — the power, in dioptres — is what adds when lenses are combined.

Named by 9 essays across 3 fields — each of them below, with the objects they name alongside it.

A converging lens making a real image. An object 2.44 focal lengths from a thin converging lens. The image sits where the construction rays cross, at 1.69 focal lengths, magnified -0.69×.

What a lens is doing, and why three rays are enough

A lens bends every ray that reaches it. The construction uses three, because three are all that can be drawn without calculation — and any three that meet prove all the rest do.

optics · Imaging
A sphere does not have a focus. Parallel rays reflected off a spherical mirror. Rays striking further from the axis cross it nearer the mirror, so there is no single point where all of them meet — the blur is spherical aberration, and a perfect sphere has it inherently.

The mirror that cannot focus, and the shape that can

A perfect sphere does not bring parallel light to a point. The blur is not a manufacturing defect — it is what the shape does, and the shape is used anyway, for a reason worth knowing.

optics · Imaging
Rays that turn round without meeting anything. Rays leaving an eye 1.5 m above a road, at 0.18°, 0.28°, 0.36°, 0.42°, 0.52° below the horizontal, in air whose refractive index is reduced by 3.0e-5 at the hot surface and recovers over 5 cm. Each is traced by integrating the ray equation, with the conserved quantity n cos θ fixed by where and how the ray set out. The shallow ones come back up without touching anything — the lowest gets to 0.6 cm above the surface and turns — and a ray that returns to eye level from below is seen as sky lying on the road. The steep ones run out of gradient first and hit it. The dividing angle is 0.444°, which is what the whole effect is made of: an unremarkable temperature difference and an angle a fiftieth the width of the Moon. Heights are exaggerated 128× against distances; at true scale every ray here would be indistinguishable from the axis. The conserved n cos θ holds to 4.3e-14 over every trace, which is what says the turns are the physics and not the integrator.

The ray that bends without a surface

Snell's law is about a boundary, and light bends in air where there is no boundary anywhere. Let the index vary continuously and the law of angles becomes a differential equation — one that carries a conserved quantity, forbids the ray from reaching certain heights, and turns a hot road into a mirror a hundred metres long.

optics · Fermat
The surface a spin decides. The free surface of a liquid in a dish of radius 0.5 m turning at 10, 20, 40 revolutions a minute. In the rotating frame the surface is a level set of gz − ½ω²r², so it is a paraboloid exactly and not to some approximation, and nothing about the liquid appears in its shape: the same curve is got with mercury, water or oil. The rim stands 14.0 mm, 55.9 mm, 223.6 mm above the centre at those rates. A parabola z = r²/4f has focal length f, so these surfaces are mirrors of focal length g/2ω² — 4.47 m at 10 rpm, 1.12 m at 20 rpm, 0.28 m at 40 rpm. That is checked here on the drawn curves rather than quoted: a vertical ray reflected off the surface at a quarter, a half, three quarters and the whole of the radius crosses the axis at the same height to 0.00%, which is what a mirror with no spherical aberration means. Doubling the spin quarters the focal length, and there is no other adjustment: the dish can only ever look straight up.

The surface a spin decides

Spin a dish of liquid and its surface settles into a paraboloid — exactly, with nothing about the liquid in the shape. A parabola of that form has a focal length of g over twice the spin rate squared, so a bucket of mercury turning at twenty revolutions a minute is a telescope mirror figured by a clock instead of by grinding.

fluids · Hydrostatics
Cancelling a derivative, and what is left over. How far the focus of a 500 mm lens moves with wavelength, for a single crown element and for a cemented pair of crown and flint whose powers satisfy the achromatic condition. The singlet's focus runs over 18.1 mm across the visible — a fifth of a per cent of its focal length, and utterly ruinous at any useful aperture. The doublet's runs over 2.268 mm, some 8× less, and — this is the whole content of the figure — it is not flat. The condition sets the rate of change of power with wavelength to zero, so the curve is stationary rather than constant: it returns to the corrected focus at exactly 2 wavelengths — 486 nm and 656 nm, which are the two Fraunhofer lines the condition was written at — and departs from it everywhere else, most at 400 nm. That residual is the secondary spectrum, it has the same sign at both ends of the visible, and no pair of ordinary glasses removes it, because two conditions cannot be met with one free ratio.

Two glasses that cancel a derivative

A single lens focuses blue light closer than red, and the difference ruins the image. Cementing a second lens of another glass behind it fixes the fault at two wavelengths and at no others, because the condition sets a slope to zero rather than a value.

optics · Dispersion
A lens with no focal length. Where a ray crosses the axis, against how far off the axis it passed the deflecting body, for 1 solar mass of radius 1 solar radius. A glass lens deflects a ray by an angle proportional to its distance off axis, which is precisely the condition for every ray to arrive at one point — the flat dashed line. Gravity deflects by 4GM/c²b, which grows smaller further out, so the crossing distance goes as b² and each ray has its own focus. The grazing ray crosses at 548 astronomical units and a ray passing at 12 radii crosses at 78857; the square law is verified on the drawn curve to 1.5e-16. So there is no image plane at all, only a half-line of foci beginning at the first of those and running outward for ever. Anything placed on that line sees not an image but a ring, and moving along it does not refocus anything — it selects which rays are being seen.

The lens with no focal length

A glass lens bends a ray by an angle proportional to how far off the axis it passes, which is precisely the condition for every ray to arrive at one point. Gravity bends by an angle that falls with distance off the axis, so every ray has its own focus and there is no image plane anywhere — only a half-line of foci, beginning 548 astronomical units from the Sun and running outward for ever.

astrophysics · Light deflection
Rings whose radii go as the square root of their number. A 20-zone plate for 550 nanometres at 200 millimetres, drawn to scale, beside its zone radii against zone number. The outermost is 1.483 millimetres and the innermost 0.332, and the curve is a square root because the radii come from making each zone's extra path exactly half a wavelength longer than the last. The consequence worth noticing is on the drawing rather than in the formula: every ring has the same area, to 0.003 per cent, so each contributes about equally to what arrives on the axis and the rings get thinner outwards to keep it so. Alternate rings are opaque. Half the light is thrown away and the axis gets brighter, because what is thrown away is the half that would have arrived out of phase with the rest.

The lens that is a set of rings

A lens focuses by delaying the light at its centre until every path takes the same time. A zone plate does the opposite: it changes nothing about the light that gets through, and paints out the light that would have arrived out of step. Half the aperture is thrown away and the axis gets brighter, which sounds like a contradiction and is the whole idea.

optics · Diffraction
Image distance against object distance. Image distance in focal lengths against object distance in focal lengths. At exactly one focal length the image runs off to infinity; inside it the image distance goes negative, which means virtual.

The focus that is a slab, not a plane

A lens images one plane and no other, which would make every photograph and every micrograph almost entirely out of focus. What rescues them is a tolerance — and there are two of them, one from rays and one from waves, which give different answers and stop being interchangeable exactly where microscopes work.

optics · Imaging
The bowl a lens actually focuses onto. Where a lens of 50 mm focal length brings each part of a flat scene to a focus, against distance from the centre of the field, out to 21.6 mm — the corner of a 35 mm frame. The surface of best focus is a sphere of radius 76 mm curving towards the lens, and the corner of the frame sits 3.13 mm in front of the plane the centre is focused on. The shaded band is the depth of focus at f/8, which is 0.070 mm — 45 times smaller than the sag it has to cover. The curvature is not an error in the lens. It is what Σ1/nf comes to for this stack, and it depends on the powers and the glasses and on nothing else: bending the surfaces, moving the stop or stopping down changes every other aberration and leaves this one exactly where it was.

The flat scene that comes back curved

A lens does not image a plane onto a plane. It images it onto a bowl, and the curvature of that bowl is fixed by the powers and the glasses alone — not by the shapes of the surfaces, not by where the stop is, and not by stopping down. Everything a designer usually plays with leaves it exactly where it was.

optics · Imaging

Named alongside it

The objects these essays reach for when they reach for this one.

ApertureImagingMagnificationThe paraxial approximationReal and virtual imagesRefractive indexAberrationCausticChromatic aberrationConic sectionDepth of focusDiffraction limit

All concepts