Depth of focus — where it appears
Named by 5 essays across one field — each of them below, with the objects they name alongside it.
Two glasses that cancel a derivative
A single lens focuses blue light closer than red, and the difference ruins the image. Cementing a second lens of another glass behind it fixes the fault at two wavelengths and at no others, because the condition sets a slope to zero rather than a value.
The flat scene that comes back curved
A lens does not image a plane onto a plane. It images it onto a bowl, and the curvature of that bowl is fixed by the powers and the glasses alone — not by the shapes of the surfaces, not by where the stop is, and not by stopping down. Everything a designer usually plays with leaves it exactly where it was.
The focus that is two lines
A lens curved more steeply in one direction than the other has no focus. It brings light to a short line at one distance, to a line at right angles at another, and in between to an ellipse that turns from wide to tall and is round at exactly one place. Most eyes are built this way to some degree, so do mirrors used at an angle, and the best any ordinary lens can do for them is to put that round patch on the retina. A cylinder, curved in one direction only, can do what no sphere can: move one line onto the other.
The beam that does not spread and the price it pays
Pass a laser beam through a shallow cone of glass and it emerges as a thin bright line of light, a core a few tens of micrometres wide that keeps its width for half a metre, where a beam focused to the same width by a lens would have doubled in a few millimetres. It seems to defeat diffraction. It does not. The core is not made of the light that was in it a moment before; every point along it is fed by a fresh ring of the aperture, and the core holds about one per cent of the beam's power. The rest is in the rings, and the rings are what pays for the line.
The eye that loses its lens in water
Eyes opened under water see only a blur, and the reason is not water in the eye or salt or murk. The human eye does two-thirds of its focusing not with its lens but with the curved front of its cornea, whose power comes from the jump in refractive index between air and tissue. Water is almost as dense optically as the cornea, and the jump all but disappears: about forty-three of the eye's sixty dioptres vanish, and the focus moves to three times the eye's own length behind the retina. A mask gives the cornea back its air; a small pupil and a hard squint buy back a little; animals that hunt in both worlds have flattened their corneas and given the work to the lens.
Named alongside it
The objects these essays reach for when they reach for this one.
Focal lengthRefractive indexAberrationAstigmatismDioptreOptical designAbbe numberAccommodationAngular spectrumApertureBessel functionBlur