Illustrated Physics
physics, drawn
Concept

Depth of focus — where it appears

The distance the detector can be moved before a point image blurs by more than an agreed amount, roughly twice the wavelength times the square of the f-number. It is a few tens of micrometres for an ordinary camera lens, which is why a curved field of a few millimetres is a catastrophe rather than a detail.

Named by 2 essays across one field — each of them below, with the objects they name alongside it.

Also named here as optical design — the same set of essays touches all of them, so they are one junction rather than several.

Cancelling a derivative, and what is left over. How far the focus of a 500 mm lens moves with wavelength, for a single crown element and for a cemented pair of crown and flint whose powers satisfy the achromatic condition. The singlet's focus runs over 18.1 mm across the visible — a fifth of a per cent of its focal length, and utterly ruinous at any useful aperture. The doublet's runs over 2.268 mm, some 8× less, and — this is the whole content of the figure — it is not flat. The condition sets the rate of change of power with wavelength to zero, so the curve is stationary rather than constant: it returns to the corrected focus at exactly 2 wavelengths — 486 nm and 656 nm, which are the two Fraunhofer lines the condition was written at — and departs from it everywhere else, most at 400 nm. That residual is the secondary spectrum, it has the same sign at both ends of the visible, and no pair of ordinary glasses removes it, because two conditions cannot be met with one free ratio.

Two glasses that cancel a derivative

A single lens focuses blue light closer than red, and the difference ruins the image. Cementing a second lens of another glass behind it fixes the fault at two wavelengths and at no others, because the condition sets a slope to zero rather than a value.

optics · Dispersion The bowl a lens actually focuses onto. Where a lens of 50 mm focal length brings each part of a flat scene to a focus, against distance from the centre of the field, out to 21.6 mm — the corner of a 35 mm frame. The surface of best focus is a sphere of radius 76 mm curving towards the lens, and the corner of the frame sits 3.13 mm in front of the plane the centre is focused on. The shaded band is the depth of focus at f/8, which is 0.070 mm — 45 times smaller than the sag it has to cover. The curvature is not an error in the lens. It is what Σ1/nf comes to for this stack, and it depends on the powers and the glasses and on nothing else: bending the surfaces, moving the stop or stopping down changes every other aberration and leaves this one exactly where it was.

The flat scene that comes back curved

A lens does not image a plane onto a plane. It images it onto a bowl, and the curvature of that bowl is fixed by the powers and the glasses alone — not by the shapes of the surfaces, not by where the stop is, and not by stopping down. Everything a designer usually plays with leaves it exactly where it was.

optics · Imaging

Named alongside it

The objects these essays reach for when they reach for this one.

Focal lengthOptical designRefractive indexAbbe numberAberrationApertureAstigmatismBlurChromatic aberrationDetectorDiffraction limitDispersion

All concepts