Concept

Optical design — where it appears

Choosing the powers, glasses, shapes and spacings of a set of surfaces so that several aberrations are small at once. Some of them respond to bending a surface or moving a stop and one does not, which is why a flat-field lens needs more elements than its focal length requires.

Named by 4 essays across one field — each of them below, with the objects they name alongside it.

Cancelling a derivative, and what is left over. How far the focus of a 500 mm lens moves with wavelength, for a single crown element and for a cemented pair of crown and flint whose powers satisfy the achromatic condition. The singlet's focus runs over 18.1 mm across the visible — a fifth of a per cent of its focal length, and utterly ruinous at any useful aperture. The doublet's runs over 2.268 mm, some 8× less, and — this is the whole content of the figure — it is not flat. The condition sets the rate of change of power with wavelength to zero, so the curve is stationary rather than constant: it returns to the corrected focus at exactly 2 wavelengths — 486 nm and 656 nm, which are the two Fraunhofer lines the condition was written at — and departs from it everywhere else, most at 400 nm. That residual is the secondary spectrum, it has the same sign at both ends of the visible, and no pair of ordinary glasses removes it, because two conditions cannot be met with one free ratio.

Two glasses that cancel a derivative

A single lens focuses blue light closer than red, and the difference ruins the image. Cementing a second lens of another glass behind it fixes the fault at two wavelengths and at no others, because the condition sets a slope to zero rather than a value.

optics · Dispersion
The bowl a lens actually focuses onto. Where a lens of 50 mm focal length brings each part of a flat scene to a focus, against distance from the centre of the field, out to 21.6 mm — the corner of a 35 mm frame. The surface of best focus is a sphere of radius 76 mm curving towards the lens, and the corner of the frame sits 3.13 mm in front of the plane the centre is focused on. The shaded band is the depth of focus at f/8, which is 0.070 mm — 45 times smaller than the sag it has to cover. The curvature is not an error in the lens. It is what Σ1/nf comes to for this stack, and it depends on the powers and the glasses and on nothing else: bending the surfaces, moving the stop or stopping down changes every other aberration and leaves this one exactly where it was.

The flat scene that comes back curved

A lens does not image a plane onto a plane. It images it onto a bowl, and the curvature of that bowl is fixed by the powers and the glasses alone — not by the shapes of the surfaces, not by where the stop is, and not by stopping down. Everything a designer usually plays with leaves it exactly where it was.

optics · Imaging
Every ray from one point, meeting again at another. Rays from a point half a radius from the centre of Maxwell's fish-eye, n = n₀/(1 + r²/R²), traced in 11 directions round the full circle. Every one is an arc of a circle, and every one passes through the point on the other side of the centre at distance R²/r from it — 2.00 radii — which is the image. The worst miss is 8.8e-4 radii, the size of the integration's own error. Rays leaving in opposite directions, rays leaving at right angles, rays that go the long way round: all arrive. The faint circles are contours of the index, which falls from n₀ at the centre to n₀/2 at one radius and n₀/5 at two.

The medium that images every point

A single refracting surface can be shaped to image one point perfectly and no other. A medium whose index falls smoothly away from a centre can do better: in Maxwell's fish-eye every ray from any point, leaving in any direction, arrives at one image point, and every such path takes exactly the same time. It is a perfect instrument for all of space at once — and the image it forms is sharp everywhere and a faithful copy nowhere.

optics · Fermat
A parallel beam brought to a point on the far side. Parallel rays sent into Luneburg's sphere, whose index falls from the square root of two at the centre to one at the rim, from the left. Each beam is brought to a single point on the rim diametrically opposite the direction it came from; the worst of the 11 rays misses by 2.0e-3 radii. The sphere has no axis — every direction is the same to it — so a beam from any direction is focused as well as any other, and there is no such thing as an off-axis aberration.

The lens with no axis

Every ordinary lens has an axis, and every one of its hardest aberrations is a penalty for looking away from it. A sphere has no axis, so a sphere cannot have off-axis aberrations — but a glass ball has spherical aberration instead, because one index and one curvature are too few to focus every ray. Luneburg's sphere, whose index falls from √2 at the centre to 1 at the rim, keeps the symmetry and removes the aberration: it brings parallel light from every direction to a perfect point on its own surface.

optics · Fermat

Named alongside it

The objects these essays reach for when they reach for this one.

Refractive indexFocal lengthAberrationDepth of focusFermat's principleGraded-indexImagingStationary pointAbbe numberAntennaApertureAstigmatism

All concepts