Concept

Standing waves — where it appears

Patterns formed by waves travelling in opposite directions, with fixed nodes and antinodes and no net transport. Only those that fit the boundaries exist, which is where discreteness comes from in a pipe, on a string, in a laser cavity and in an atom.

Named by 4 essays across one field — each of them below, with the objects they name alongside it.

The lowest note a pipe will carry. The dispersion relation of a guided wave for three cutoffs, in units where the free wave speed is one. Each curve leaves the vertical axis at its own cutoff and bends toward the diagonal, which is the free wave. Above the cutoff the phase velocity is the slope of the line from the origin and always exceeds one, while the group velocity is the slope of the curve and never does: at k = 2 their product is 1.0000, 1.0000, 1.0000, which is one to four decimal places in every case and is an identity rather than a coincidence. Below the cutoff there is no curve, because there is no travelling wave to draw.

The pipe that will not carry a low note

A wave squeezed sideways acquires a lowest frequency. Below it nothing travels — the field is there, it is large, and it goes nowhere. Above it the guide is dispersive whether or not anything in it is, and the pattern inside runs faster than light while the signal does not.

waves · Guided waves
A lens with two flat faces. Rays entering a rod whose refractive index falls parabolically from the axis outward, parallel to the axis and at -2.4, -1.2, 0, 1.2, 2.4 mm from it. The ray equation in such a medium is the harmonic oscillator's, so each path is a cosine of the same period whatever height it started at — which is exactly the condition for a focus, and the reason all of them cross the axis together at 12 mm. Nothing is curved anywhere: the faces are flat and the bending is done by the inside of the glass. Cut the rod at a quarter of the period and it images; cut it at half and it relays the beam parallel again, inverted. The period is a property of the profile alone, which is why a rod like this is specified by a length rather than by a curvature.

The channel with no walls

A pipe will not carry a note below its cutoff, and no length of pipe helps. Replace the walls with nothing but a region where the wave travels slightly slower, and the cutoff disappears — however weak the contrast and however thin the channel, at least one mode is bound. The difference is not a matter of degree; it is the difference between a boundary condition and a potential well.

waves · Guided waves
The one frequency a broken repeat lets through. Transmission through a quarter-wave stack whose repeat is broken once, on a logarithmic scale, against frequency in units of the quarter-wave design frequency. The perfect stack forbids this whole band; adding a single half-wave layer at the centre opens one line inside it, at exactly the middle of the gap, through which the stack transmits everything. With 4 pairs either side the line is 2.50e-3 wide, a quality factor of 400, on a background of 4.5e-4; With 6 pairs either side the line is 1.56e-4 wide, a quality factor of 6410, on a background of 6.3e-6; With 8 pairs either side the line is 1.00e-5 wide, a quality factor of 100000, on a background of 9.2e-8. The line narrows geometrically as the mirrors are made thicker, because the field inside the defect leaks out through a barrier whose transmission falls exponentially with its thickness — so the useful quantity of a band gap turns out to be not what it excludes but how well it can trap what a single flaw is allowed to hold.

The mode that lives in the mistake

A perfect stack of alternating layers refuses a whole band of frequencies — not weakly, not with loss, but not at all. Break the repeat once, by inserting a single layer of the wrong thickness, and exactly one frequency inside that band passes through the whole stack with a transmittance of one. The useful thing about a forbidden band turns out to be not what it excludes but what a single flaw is thereby allowed to hold.

waves · Periodic media
What a station hears from one thunderstorm region. The power spectrum of the vertical field from a single region of thunderstorms, received 20° and 90° of arc away, from a sum of the first seven resonant patterns, each with the measured peak frequency and a quality factor of 4 to 6, both taken as inputs. Measured spectra fall off with frequency rather more than this one, because real strokes and the real ionosphere are not as simple. The resonances are so broad that neighbouring peaks run into each other; a quality factor of five means a peak about a fifth as wide as its frequency, and the ringing dies in a few cycles. At 20° every tone is present, the higher ones merging. At 90° the first, third and fifth have vanished, because those patterns have a node a quarter of the world away, and the spectrum is made of the even tones alone. Real stations receive the sum of the world's storms, which move with the time of day, and the heights of the peaks drift with them.

The tone the whole Earth rings at

The ground conducts and so does the ionosphere, eighty kilometres up, and between them lies a waveguide the size of the planet. Two walls, unlike a pipe, carry waves of any length, so the guide takes radio waves forty thousand kilometres long — longer than the world is round — and, closed on itself, it rings. Lightning strikes fifty times a second and keeps it ringing at about 7.8, 14.3 and 20.8 hertz. Perfect walls would put the tones at 10.6, 18.4 and 25.9; the difference is the ionosphere, a ceiling that leaks.

waves · Guided waves

Named alongside it

The objects these essays reach for when they reach for this one.

CutoffGuided wavesDispersionEvanescent waveGroup velocityQuality factorResonanceBand gapBloch waveBound stateBoundary conditionsCavity

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