Illustrated Physics
physics, drawn
Concept

Standing wave — where it appears

The fixed pattern formed when a wave interferes with its own reflection, existing only at the wavelengths the boundaries allow. Its nodes are places where the two travelling waves always cancel, and it carries no net energy along the medium — which is why a plucked string sounds and does not go anywhere.

Named by 11 essays across 3 fields — each of them below, with the objects they name alongside it.

Harmonics on a fixed string. Standing-wave patterns on a string clamped at both ends, at n = 1, 2, 3, 4. Only whole numbers of half-wavelengths fit, which is why the allowed frequencies are discrete.

Only some notes fit, and that is where discreteness comes from

A string clamped at both ends can vibrate at some frequencies and not others. A continuous object producing a whole-number list is the oldest quantisation in physics.

waves · Standing waves 50 Hz on two strings: 5.66 m and 2.83 m. The same 50 hertz note driven onto 2 strings at the same tension of 80 newtons but different thicknesses. The frequency is identical — it is the source's — while the wavelengths are 5.66 metres and 2.83 metres, because each string carries the wave at its own speed.

The medium decides the speed, and the source only decides the note

A wave's speed is not chosen by whatever made it. It is a property of the material the wave is crossing, fixed before the wave arrives, and the wavelength is whatever is left over after the division.

waves · Wave motion The states a box allows, drawn on their energies. A particle confined between two walls one unit apart. States 1, 2, 3 are drawn, each riding on a line at its own energy — 1E₁, 4E₁, 9E₁ — because the energies go as n². Each wavefunction has n − 1 places where it crosses zero inside the box: 0 for n = 1, 1 for n = 2, 2 for n = 3. Nothing about the particle's mass or the depth of the well appears in the shapes; only the count of half-wavelengths that fit does.

The box that allows only some energies

Confine a wave between two walls and only the shapes that fit survive. That is a fact about strings, organ pipes and drumheads, and applying it to a matter wave produces quantisation with no new assumption at all.

quantum · Standing waves Reflected upside down. A pulse arriving at a join where the impedance rises by a factor of 3, drawn at three moments. The amplitudes are read off the marched wave: the reflected pulse is -0.500 of the incident one and the transmitted pulse is 0.500, against (1−Z₂/Z₁)/(1+Z₂/Z₁) = -0.500 and 2/(1+Z₂/Z₁) = 0.500 from the two matching conditions. The reflection is inverted, which is the same fact as a pulse on a string flipping when it reaches a wall: a wall is a medium of infinite impedance, and the inversion is what keeps the displacement at the join equal to zero. Note that the transmitted amplitude exceeds one where the second medium is lighter, and that this is not a violation of anything: amplitude is not energy.

What happens where the medium changes

Two conditions at a join — the displacement is continuous, and so is the transverse force — fix the reflected and transmitted amplitudes completely. What decides them is one quantity, the impedance, and not the stiffness or the density separately: two quite different media with the same impedance are, to a wave, the same medium.

waves · Impedance Reflected upside down. A pulse arriving at a join where the impedance rises by a factor of 3, drawn at three moments. The amplitudes are read off the marched wave: the reflected pulse is -0.500 of the incident one and the transmitted pulse is 0.500, against (1−Z₂/Z₁)/(1+Z₂/Z₁) = -0.500 and 2/(1+Z₂/Z₁) = 0.500 from the two matching conditions. The reflection is inverted, which is the same fact as a pulse on a string flipping when it reaches a wall: a wall is a medium of infinite impedance, and the inversion is what keeps the displacement at the join equal to zero. Note that the transmitted amplitude exceeds one where the second medium is lighter, and that this is not a violation of anything: amplitude is not energy.

The equation that lets a shape travel

Newton's second law applied to a piece of string a millimetre long gives T·y″ = µ·ÿ, and the derivation never once asks what the string is made of. Two things fall out immediately: the speed is √(T/µ) and belongs to the medium, and the general solution holds two arbitrary functions rather than one. The second of them is the reflection, which is why a boundary condition can be met at all.

waves · Wave motion 6 modes of a drum, and their frequency ratios. Nodal-line diagrams for 6 modes of a circular membrane, each labelled with its frequency as a multiple of the lowest mode's. A mode (m, n) has m nodal diameters and n − 1 nodal circles, and the circles are drawn at the radii where the computed radial function J_m(j(m,n)·r/R) crosses zero — not at guessed fractions of the radius. The two tints are the two directions the head is moving in at that instant, and the lines between them are the parts of it that never move. The ratios are 1.000, 1.593, 2.136, 2.295, 2.653, 2.917: each one is a quotient of two zeros of Bessel functions, computed here from the power series and checked against their published values to 4.4e-7. Not one is a whole number, which is why a drum has no harmonic series and no pitch in the sense a string has one — and why these same ratios belong to every circular membrane ever stretched, whatever it is made of and however tightly it is pulled.

The drum that has no harmonics

A string's allowed frequencies are 1, 2, 3, 4 times its lowest, because counting half-wavelengths is arithmetic. Clamp a membrane round a circle and the same reasoning returns 1.000, 1.593, 2.136, 2.295 instead — zeros of Bessel functions, not integers. And those numbers belong to the shape of the boundary alone, which raises a question nobody could answer until 1992.

waves · Standing waves How many modes a square has below a given wavenumber. The number of vibration modes of a square with wavenumber below k, counted exactly — every eigenvalue of this region is a closed form, so the staircase is the true count and not an estimate. There are 265 of them below k = 60. The smooth curves are what Weyl's law predicts. The upper one is the leading term alone, the area times k² over 4π, and it is too high by 21.5 modes at the right-hand edge; the lower one subtracts the perimeter term, the perimeter times k over 4π, and is out by 2.4. The content of the law is that the count depends on the region through its area and its perimeter and — to this order — through nothing else at all: not through its shape, not through where its corners are, not through whether it is convex. The staircase's steps are the individual modes, and they cluster where two different pairs of indices give the same wavenumber. That the count is smooth in the large while being a staircase in the small is what makes a mode count usable in thermodynamics, where it appears as a density of states and never as a list.

How many ways there are to vibrate

A drum has infinitely many modes, and below any given frequency it has a finite number of them. That number turns out to depend on the drum's area and the length of its rim and — to the accuracy anybody uses — on nothing else about its shape. Almost every result in thermal physics that involves waves is an application of that count.

waves · Standing waves Minima that are not zeros. The amplitude along a line carrying a wave towards a load and its reflection back, for reflection magnitudes of 0, 0.35, 0.7, 1. With everything reflected the pattern touches zero and is a standing wave in the strict sense. With less than everything it does not: the minima sit at one minus the reflection and the maxima at one plus it, so the pattern is a partial standing wave sitting on a travelling one. The spacing is half a wavelength in every case, and the depth is the only thing that changes — which is why one number, the ratio of the maximum to the minimum, is enough to report the whole pattern.

The node that is not standing still

A wave meeting a perfect reflector makes a standing wave with real nodes. A partial reflection makes something that looks the same and is not: the minima are not zeros, energy flows steadily through them, and the depth of the pattern is a measurement of the load that caused it.

waves · Standing waves Where a small weight is felt, and where it is not. The fractional change in the frequency of harmonic 3 of a stretched string when a point mass of 0.06 of the string's own mass is placed at each position along it. The solid curve is the exact answer, found by solving the string's frequency equation for the loaded string at each position; the dashed curve is the first-order prediction, minus the mass fraction times the square of the mode shape. The two agree to 10.4 per cent at the antinode, where the shift is largest. Every node is a place where the exact shift is zero to better than a part in a thousand million, and that is not an approximation: a mass at a node is never moved by the mode, so it takes no part in the motion and cannot change its rate. Between the nodes the shift follows the square of the displacement, which is the square of the amplitude — the mass is felt in proportion to the kinetic energy the mode was already keeping there.

The dent that raises the note

Push a wall of a resonator inwards and the pitch goes up or down depending entirely on where the wall is pushed. A mass added at a node changes nothing at all; the same mass at an antinode changes as much as it can. One rule covers a loaded string, a tuned microwave cavity and a bead drawn through a resonator to read out its field.

waves · Standing waves A beam of sound has a weight. The force a fully absorbed acoustic beam exerts, against its power, for 3 media. It is the power divided by the speed of sound and nothing else — a watt in water gives 675 micronewtons, which is the weight of 68 milligrams, and a watt in air gives 2.9 millinewtons because the sound is slower there. This is not an analogy with light: it is the same statement, that a wave carrying energy carries momentum, with a much smaller speed in the denominator. The consequence is that acoustic power is measured by weighing. A radiation-force balance — an absorbing target on a laboratory balance, with the transducer beneath it — is the primary standard for ultrasonic output, and every therapeutic and diagnostic transducer is calibrated against one.

Where the loudness goes

An absorption coefficient removes energy from a wave, and energy removed has to appear somewhere. It appears twice, from the same coefficient: as heat, and as momentum. So a beam of sound has a weight — a watt absorbed in water weighs sixty-eight milligrams — and acoustic power is measured by putting an absorber on a balance. The ratio of the force to the heating contains no intensity at all.

waves · Attenuation The four vortices a standing wave leaves behind. Streamlines of the steady flow that a standing sound wave sets up in a channel, over half an acoustic wavelength, with the horizontal axis in units of the wave's own phase and the vertical axis scaled to the channel. The sound itself is a back-and-forth motion that averages to nothing; this is what does not average to nothing. Four closed cells fill each wavelength, two above the centreline and two below, turning in opposite senses, with the fluid moving along the walls toward the velocity nodes and back along the centre. The boundary layer that generates all of it is 69 micrometres thick, which is 0.7 per cent of the channel and is thinner than the width of a line in this drawing. The cells are not in the layer; they fill the channel.

The drift a sound leaves behind

A sound wave moves fluid back and forth and puts it back where it started. Over many cycles it does not: a steady circulation appears, four cells to a wavelength, driven entirely from inside a boundary layer seventy micrometres thick. Its speed contains the sound speed and the amplitude, and it contains no viscosity at all — so making the fluid thinner does not make the drift weaker.

fluids · Viscosity

Named alongside it

The objects these essays reach for when they reach for this one.

Boundary conditionsNormal modesSuperpositionQuantisationWave speedWavelengthAcoustic streamingBoundary conditionDispersionEigenvalueImpedanceImpedance matching

All concepts