Illustrated Physics
physics, drawn
Concept

Lens — where it appears

A piece of transparent material shaped so that rays from a point are brought back to a point, by adding an optical path that increases towards the edge. Its focal length follows from the surfaces and the index, and everything hard about designing one is the aberrations that the same surfaces bring with them.

Named by 2 essays across one field — each of them below, with the objects they name alongside it.

What arrives in the back focal plane. A grating of pitch 1.2 µm illuminated at 550 nm, and the spectrum that appears in the objective's back focal plane. Each spatial frequency in the object leaves at its own angle, sinθ = mλ/d, and the bar heights are the Fourier coefficients of the object's transmittance. The aperture admits everything inside sinθ = 0.65, which here is orders -1, 0, 1 — 2 of them carrying information about the pitch. Orders outside it are drawn faint and are simply lost: they never reach the image plane, and no amount of magnification afterwards recovers them. This is where a microscope's resolution is decided — not at the image, not by the eyepiece, but by which of these bars the front of the objective is wide enough to catch.

The image that is a diffraction pattern twice

A lens does not project an object onto a screen. It takes the object's spatial frequencies apart, spreading them across its own back focal plane at an angle each, and then puts them back together — so an image is the object's spectrum, filtered by whatever the aperture admits, transformed back. With only the zeroth order through, the image is a uniform grey with no information in it at all.

optics · Imaging The bowl a lens actually focuses onto. Where a lens of 50 mm focal length brings each part of a flat scene to a focus, against distance from the centre of the field, out to 21.6 mm — the corner of a 35 mm frame. The surface of best focus is a sphere of radius 76 mm curving towards the lens, and the corner of the frame sits 3.13 mm in front of the plane the centre is focused on. The shaded band is the depth of focus at f/8, which is 0.070 mm — 45 times smaller than the sag it has to cover. The curvature is not an error in the lens. It is what Σ1/nf comes to for this stack, and it depends on the powers and the glasses and on nothing else: bending the surfaces, moving the stop or stopping down changes every other aberration and leaves this one exactly where it was.

The flat scene that comes back curved

A lens does not image a plane onto a plane. It images it onto a bowl, and the curvature of that bowl is fixed by the powers and the glasses alone — not by the shapes of the surfaces, not by where the stop is, and not by stopping down. Everything a designer usually plays with leaves it exactly where it was.

optics · Imaging

Named alongside it

The objects these essays reach for when they reach for this one.

ApertureRefractive indexAberrationAstigmatismBlurCoherenceDepth of focusDetectorDiffractionField curvatureFocal lengthFocal plane

All concepts