Illustrated Physics
physics, drawn
Concept

Transmission coefficient — where it appears

The fraction of an incident wave that crosses a boundary, computed from the two impedances and constrained to make the accounting close. It is the amplitude transmitted rather than the power, so the two coefficients do not simply add to one and the energy balance needs the impedances as well.

Named by 4 essays across 2 fields — each of them below, with the objects they name alongside it.

Reflected upside down. A pulse arriving at a join where the impedance rises by a factor of 3, drawn at three moments. The amplitudes are read off the marched wave: the reflected pulse is -0.500 of the incident one and the transmitted pulse is 0.500, against (1−Z₂/Z₁)/(1+Z₂/Z₁) = -0.500 and 2/(1+Z₂/Z₁) = 0.500 from the two matching conditions. The reflection is inverted, which is the same fact as a pulse on a string flipping when it reaches a wall: a wall is a medium of infinite impedance, and the inversion is what keeps the displacement at the join equal to zero. Note that the transmitted amplitude exceeds one where the second medium is lighter, and that this is not a violation of anything: amplitude is not energy.

What happens where the medium changes

Two conditions at a join — the displacement is continuous, and so is the transverse force — fix the reflected and transmitted amplitudes completely. What decides them is one quantity, the impedance, and not the stiffness or the density separately: two quite different media with the same impedance are, to a wave, the same medium.

waves · Impedance The two reflectances, and the angle one of them loses. Reflectance against angle of incidence for light going from n = 1 into n = 1.5. The upper curve is light polarised with its electric field along the surface, which reflects more and more strongly until at grazing incidence everything reflects. The lower curve is light polarised in the plane of incidence, and it does something the other cannot: it falls to exactly zero at 56.31°, where tan θ = 1.5000, and then rises again. At normal incidence the two are equal at 4.00% because there is no plane of incidence to tell them apart. The dashed curve is the transmittance, computed from the transmission coefficients and the two media's projected impedances rather than as one minus the reflectance; it agrees with one minus the reflectance to 4.4e-16 across the whole range, which is where the energy accounting can be seen to close.

The angle at which reflection picks a side

At one angle of incidence, a water surface reflects no light at all of one polarisation. The Fresnel algebra says so, and says nothing about why. The reason is that the reflected ray would have to leave along the axis of the charges radiating it — and a shaking charge sends nothing along the direction it shakes in.

optics · Polarisation Minima that are not zeros. The amplitude along a line carrying a wave towards a load and its reflection back, for reflection magnitudes of 0, 0.35, 0.7, 1. With everything reflected the pattern touches zero and is a standing wave in the strict sense. With less than everything it does not: the minima sit at one minus the reflection and the maxima at one plus it, so the pattern is a partial standing wave sitting on a travelling one. The spacing is half a wavelength in every case, and the depth is the only thing that changes — which is why one number, the ratio of the maximum to the minimum, is enough to report the whole pattern.

The node that is not standing still

A wave meeting a perfect reflector makes a standing wave with real nodes. A partial reflection makes something that looks the same and is not: the minima are not zeros, energy flows steadily through them, and the depth of the pattern is a measurement of the load that caused it.

waves · Standing waves The mass law: how much sound a limp wall stops. The transmission loss of a wall that only has mass — no stiffness — for sound arriving square-on, against frequency on a logarithmic axis, for surface masses of 10 kg/m², 20 kg/m², 40 kg/m². It is 10 log(1 + (ωm/2ρc)²) decibels. At 500 Hz, 10 kg/m² stops 31.6 dB, 20 kg/m² stops 37.6 dB, 40 kg/m² stops 43.6 dB. Doubling the mass or the frequency adds six decibels, and nothing else about the wall matters: it is the wall's inertia, set against air's characteristic impedance ρc = 413 rayl, that turns the sound back.

The wall that stops sound by its weight

A wall between two rooms keeps out sound not by absorbing it but by being hard to shake. The sound's pressure pushes the wall back and forth, the moving wall becomes a loudspeaker on the far side, and how much gets through depends almost entirely on the wall's mass per square metre against the frequency: six decibels more for every doubling of either. Read as impedance, a wall is a mass placed in series with the air, and the same reading explains the frequency at which a stiff pane of glass nearly vanishes and why two thin walls with a gap beat one thick one.

waves · Impedance

Named alongside it

The objects these essays reach for when they reach for this one.

Boundary conditionsReflection coefficientImpedanceImpedance-matchingStanding waveAcoustic impedanceBending waveBrewster's angleCoincidenceCritical angleDecibelDipole radiation

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