Illustrated Physics
physics, drawn
Concept

Decibel — where it appears

A tenth of a factor of ten in power, so that a level in decibels is ten times the logarithm of a power ratio. It is used for sound and signals because the ear and many instruments respond to ratios, and each 10 dB is roughly a halving or doubling of perceived loudness.

Named by 2 essays across one field — each of them below, with the objects they name alongside it.

Three geometries, three exponents. Amplitude against distance for a wave spreading in one, two and three dimensions, on logarithmic axes, over 3 decades. The same power crosses every surface round the source, so the intensity falls as one over the area of that surface and the amplitude as one over its square root. The fitted slopes are 0.000 along a line, -0.500 over a cylinder, -1.000 over a sphere, each fitted by least squares to the drawn curve rather than written on it. A ripple on water is the middle case and a sound in a room is the last, which is why a ripple stays visible so much further than a shout carries.

How a wave thins out

A wave gets weaker with distance for two quite different reasons, and only one of them is a loss. Geometry alone fixes the first exactly — three exponents for three dimensions, with nothing about the medium in them — and whatever is left over is the medium eating the wave.

waves · Wave motion The mass law: how much sound a limp wall stops. The transmission loss of a wall that only has mass — no stiffness — for sound arriving square-on, against frequency on a logarithmic axis, for surface masses of 10 kg/m², 20 kg/m², 40 kg/m². It is 10 log(1 + (ωm/2ρc)²) decibels. At 500 Hz, 10 kg/m² stops 31.6 dB, 20 kg/m² stops 37.6 dB, 40 kg/m² stops 43.6 dB. Doubling the mass or the frequency adds six decibels, and nothing else about the wall matters: it is the wall's inertia, set against air's characteristic impedance ρc = 413 rayl, that turns the sound back.

The wall that stops sound by its weight

A wall between two rooms keeps out sound not by absorbing it but by being hard to shake. The sound's pressure pushes the wall back and forth, the moving wall becomes a loudspeaker on the far side, and how much gets through depends almost entirely on the wall's mass per square metre against the frequency: six decibels more for every doubling of either. Read as impedance, a wall is a mass placed in series with the air, and the same reading explains the frequency at which a stiff pane of glass nearly vanishes and why two thin walls with a gap beat one thick one.

waves · Impedance

Named alongside it

The objects these essays reach for when they reach for this one.

AbsorptionAcoustic impedanceAmplitudeAttenuationBending waveCoincidenceEnergy fluxGeometric spreadingIntensityThe inverse-square lawResonanceSound insulation

All concepts