Sound — where it appears
Named by 2 essays across 2 fields — each of them below, with the objects they name alongside it.
The note a bottle sings whatever its shape
Blow across the mouth of an empty wine bottle and it sounds a low note, about 109 hertz for a 750-millilitre bottle. Its wavelength is three metres, ten times the bottle's height, so it is not a standing wave in the bottle the way a flute's note is a standing wave in the flute. It is a mass bouncing on a spring: the plug of air in the neck, thirty milligrams of it, riding on the springiness of the air in the body. The note depends on the body's volume and the neck's size and on nothing about the body's shape, which is why a sphere, a cube and a tall cylinder of the same volume all sing the same note — and why a car driven with one window open throbs at eighteen hertz.
The note too high for thin air
Sound in a gas is a compression handed from molecule to molecule by collisions, and it can only be handed on if the molecules collide many times in each period of the wave. At sea level they collide seven thousand million times a second, and the limit is far above anything audible. But a gas's viscosity does not depend on its pressure, so as the air thins with height the time between collisions grows in proportion, and the highest note the air can carry falls with it: two hundred megahertz at the ground, three kilohertz at eighty kilometres, below twenty hertz above a hundred and ten. The upper atmosphere is not silent for want of loudness. It is silent because its molecules are too far apart to pass a sound along.
Named alongside it
The objects these essays reach for when they reach for this one.
Acoustic absorptionAcoustic impedanceAdiabatic compressionCollision timeContinuum limitHelmholtz resonatorKnudsen numberLumped elementMean free pathQuality factorResonanceStanding wave