Index matching — where it appears
Named by 2 essays across one field — each of them below, with the objects they name alongside it.
The sand that darkens when it is wet
Wet sand is darker than dry sand, a wet stone darker than a dry one, a splashed pavement darker in patches, and a wet white shirt turns grey and then see-through. Water is clear and absorbs almost nothing, so it cannot be adding darkness. What it does is change where the light goes. A film of water on a surface traps light that has been scattered back up, returning most of it for another chance to be absorbed. Water in the pores between grains replaces air with something closer to the grains' own refractive index, so each grain turns light aside less, and light wanders deeper before it gets out. Both lengthen the path, and on a longer path more light is absorbed by the material that was there all along.
The colour at which glass disappears
Lower a glass rod into an oil of the same refractive index and it vanishes, except for a faint coloured outline. The outline is the clue. Glass and oil disperse light differently, so their indices can agree at only one wavelength; at every other the glass is still there, bending and scattering a little. Grind the glass to powder and pack it in the oil, and the mixture is clear at that one wavelength and opaque at the rest — a colour filter made of nothing but two transparent materials, whose colour moves by a whole hue for a few degrees of warming.
Named alongside it
The objects these essays reach for when they reach for this one.
Refractive indexAbbe numberAbsorptionAlbedoDispersionEscape coneExtinctionFresnel reflectionKubelka munkMultiple scatteringOptical filterScattering