Illustrated Physics
physics, drawn
Concept

Escape cone — where it appears

The cone of directions within the critical angle through which light inside a denser medium can leave it; the rest is totally reflected. For light scattered evenly inside water only about half escapes, which is one reason wet surfaces look darker.

Named by 2 essays across one field — each of them below, with the objects they name alongside it.

A hemisphere outside is a cone of 16.6° inside. Rays leaving a flat face from a material of index 3.5 into air. Every direction in the hemisphere above the face is reached by a ray from inside a cone of half-angle 16.6°, arcsin(1/n), because refraction at the face fans the cone out; rays steeper than that are reflected back, drawn in the warning colour. The squeeze is exact in the way the invariant requires. The projected solid angle of the inside cone is π sin²θc, which is π/12.25, and multiplied by n² it equals π, the projected solid angle of the whole hemisphere outside — checked on the drawn geometry. So the light that does get out has not gained anything: the radiance inside is n² times higher and the directions available are n² times fewer, and the étendue passing the face is the same on both sides.

The cone light has to find to get out

Inside a dense material the whole hemisphere of directions outside a flat face shrinks to a narrow cone, and light made inside can leave only if it happens to be travelling within it. For gallium arsenide that is two per cent of the light. Turned round, the same cone keeps light in: a slab of silicon with a rough surface holds the light it admits for fifty-one passes. Both numbers are the n² the optical invariant carries, and neither one breaks it.

optics · Etendue How much darker a surface looks under a film of water. The diffuse reflectance of a surface covered by a thin film of clear water (solid), against its reflectance dry, with the dry value for comparison (dashed): (1 − Rₑₓₜ) a (1 − Rᵢₙₜ)/(1 − a Rᵢₙₜ), where the film traps and returns light that falls outside its escape cone. A bright surface of reflectance 0.9 falls to 0.77; a mid-grey one of 0.5 to 0.32, 64 per cent of its dry value; a dark one of 0.2 to 0.11, 54 per cent. Dark surfaces darken proportionally most, because each return trip costs them most; and a coloured surface grows more saturated, because the colours it absorbs are absorbed again on every return while the colour it reflects survives.

The sand that darkens when it is wet

Wet sand is darker than dry sand, a wet stone darker than a dry one, a splashed pavement darker in patches, and a wet white shirt turns grey and then see-through. Water is clear and absorbs almost nothing, so it cannot be adding darkness. What it does is change where the light goes. A film of water on a surface traps light that has been scattered back up, returning most of it for another chance to be absorbed. Water in the pores between grains replaces air with something closer to the grains' own refractive index, so each grain turns light aside less, and light wanders deeper before it gets out. Both lengthen the path, and on a longer path more light is absorbed by the material that was there all along.

optics · Scattering

Named alongside it

The objects these essays reach for when they reach for this one.

Refractive indexTotal internal reflectionAbsorptionAlbedoCritical angleDetailed balanceEtendueIndex matchingKubelka munkLight extractionLight-trappingMultiple scattering

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