F number — where it appears
Named by 2 essays across one field — each of them below, with the objects they name alongside it.
The colour fringe no aperture can close
A lens bends blue light more than red, and that one fact produces two different faults. One puts the blue focus nearer the lens than the red, and closing the aperture shrinks it. The other puts the blue image of an off-axis point nearer the centre of the frame than the red one, and closing the aperture does nothing at all, because it is carried by the one ray every aperture keeps. It is why photographs have coloured fringes in their corners and not in their middles, and why a lens designer who cannot remove it with glass can sometimes remove it with symmetry, or with a distance.
The hole that makes the sharpest picture
A pinhole camera makes a picture without bending any light: a small hole lets through, from each point of the scene, only the rays that reach one small patch of the screen. A smaller hole makes a sharper picture — until it does not. Below a certain size the hole spreads light by diffraction faster than it narrows the shadow, and the picture blurs again. The best hole balances the two, and at that balance it turns out to pass about half of the first Fresnel zone of the incoming wave: the sharpest pinhole is already beginning to behave like a lens.
Named alongside it
The objects these essays reach for when they reach for this one.
Abbe numberAperture stopChief rayChromatic aberrationDiffractionDispersionFresnel zoneImagingLateral colourLens designPinhole cameraPoint-spread function