Illustrated Physics
physics, drawn
Concept

Speckle — where it appears

The grainy pattern of bright and dark spots formed when coherent waves scattered from a rough or random medium interfere. Its grains are about the size of the resolution of whatever observes them, and it limits the contrast of any coherent image.

Named by 2 essays across 2 fields — each of them below, with the objects they name alongside it.

A grain that is not on the object. A speckle pattern, computed as the far field of a circular aperture 421 samples in area filled with random phases — which is what a rough surface does to coherent light, and nothing else. The texture is not a picture of the surface: change the phases and the grains move, but their size and their statistics do not. Five shades are drawn here, from the darkest fifth of the range to the brightest. The measured contrast — the standard deviation of the intensity divided by its mean — is 1.0101, against exactly one for a fully developed speckle, and that is a strong statement: it says the most likely intensity anywhere in this pattern is zero, and that the bright grains are as far above the mean as the dark ones are below. Anybody who has pointed a laser at a wall has seen this and most take it for a property of the wall. It is a property of the light and of the aperture looking at it — including, when the aperture is an eye, of the pupil, which is why the pattern swims when the head moves and why its grain size tells an optometrist about the eye rather than about the wall.

The grain that is in the light

Point a laser at a wall and the wall appears to be covered in a fine boiling texture. Nothing on the wall is that size and nothing about the wall decides it: the grain belongs to the aperture looking at it, the statistics are the same for every rough surface there is, and the most likely brightness anywhere in the pattern is zero.

optics · Coherence The focus that gets sharper when the wave is scattered. The refocused amplitude against distance across the source, in wavelengths, for the same one-sided mirror and pulse, with the space between empty (dashed) and with a slab of 200 lossless point scatterers, 15 wavelengths thick, filling the space between source and mirror (solid). Through the slab the wave reaching the mirror is a jumble — scattered many times, arriving from every direction the slab can send it — yet time-reversed and sent back through the same slab, it refocuses on the source, in a spot 1.5 wavelengths wide against 4.8 in empty space. The scatterers, bouncing waves in from a wide range of angles, act as a lens much wider than the mirror: disorder that would ruin an ordinary lens makes a time-reversal mirror sharper.

The mirror that sends a wave back to where it began

Record a wave as it arrives at a row of microphones, then play each recording backwards through the loudspeaker beside it, and the sound converges on the place it came from — however twisted the route it took. Huygens said every point on a wavefront acts as a source; a time-reversal mirror takes him literally, making every point of a recorded front re-emit its own history in reverse. The result has a property no lens has. Put a thicket of scatterers between the source and the mirror, so that the arriving wave is an unrecognisable jumble, and the reversed wave still finds its way back — to a sharper focus than it could reach in empty space, because the disorder acts as a lens wider than the mirror.

waves · Huygens

Named alongside it

The objects these essays reach for when they reach for this one.

ApertureAutocorrelationCircular gaussianCoherenceContrastDiffractionDiffraction limitFocusingHuygens principleInterferenceMultiple scatteringNegative exponential

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