Illustrated Physics
physics, drawn
Concept

Field of view — where it appears

The range of directions an optical instrument images at once, given as an angle across the image. Wide fields bring off-axis aberrations and a fall of illumination towards the edges, as cos⁴θ for an ordinary lens.

Named by 2 essays across one field — each of them below, with the objects they name alongside it.

Abbe's ratio, measured on the traced rays. The quantity h divided by the sine of the angle at which the ray converges on the focus, in units of the paraxial focal length, against how far up the aperture the ray entered. Abbe's sine condition says that a system already free of spherical aberration images a small region round the axis faithfully only if this ratio is the same for every ray. A horizontal line means the condition is met. The parabola departs by 12.96 per cent across the aperture; The sphere departs by 7.18 per cent across the aperture. The paraboloid is the interesting case, because it is exactly stigmatic on axis — every ray from infinity crosses at one point, which is the definition of the shape — and it still fails this test. Perfection at one point buys nothing at the next one along. What the departure predicts is coma, a blur that grows linearly with the distance off axis and quadratically with the aperture, and the offaxis figure measures exactly that blur on the same surfaces. The condition is not a design rule invented for telescopes: it follows from requiring that the same optical path length join object and image for every route, and any instrument that images a field rather than a point has to meet it.

The condition a lens must meet

A paraboloid brings every parallel ray to exactly one point. Move the source a fifth of a degree off axis and the image is a fan rather than a point, and the reason is a condition Abbe wrote down that has nothing to do with the axis — perfection at one point buys nothing at the next one along.

optics · Imaging Four cosines between a lens and the edge of its picture. Light from a direction 30° off the axis passing through a lens and landing at the edge of the image, with the four factors that dim it relative to the centre. The aperture, seen from that direction, is foreshortened to cos θ of its area. The image point is further from the lens, f/cos θ instead of f, and the light spreads as the square of the distance: cos²θ. The light arrives at the image plane at a slant, spreading over 1/cos θ more area: one more cos θ. Together, cos⁴θ: at 30° the edge receives 0.563 of the light at the centre, 0.83 photographic stops darker. Nothing here is a fault of the glass. A perfect thin lens, or a pinhole, does it, because it is geometry.

The four cosines at the edge of a photograph

Photograph a plain, evenly lit wall with a wide-angle lens and the corners of the picture come out darker than the middle — by more than three photographic stops with a 14 mm lens on a full-frame camera. It is usually blamed on the lens. A perfect lens does it too, and so does a pinhole, because the light reaching the edge of an image is reduced by four separate cosines of the angle it came from: three of them pure geometry, and one the slant at which it lands. Fisheye lenses avoid most of the loss by refusing to keep straight lines straight. Every wide lens is a choice between the two.

optics · Imaging

Named alongside it

The objects these essays reach for when they reach for this one.

AberrationAplanaticComaDistortionFisheye lensIlluminanceThe inverse-square lawLens mappingOptical path lengthRadianceRay tracingSine condition

All concepts