Illustrated Physics
physics, drawn
Concept

Near field — where it appears

The region close enough to a source or an aperture that the far-field approximations fail and the pattern still changes with distance. Behind a grating it holds the Talbot self-images; around an antenna it holds energy that is stored rather than radiated.

Named by 4 essays across 4 fields — each of them below, with the objects they name alongside it.

The Cornu spiral, and the chords that are amplitudes. Fresnel's two integrals plotted against each other, traced from v = -4.2 to 4.2. Arc length along the curve is v — the distance along the wavefront in units of √(λL/2) — and the amplitude arriving from any stretch of that front is the straight chord between the stretch's two endpoints, not the length of curve between them. The two eyes at ±(½, ½) are where the far parts of an unobstructed front pile up, so the whole open front is the chord between them, of length 1.4142. A straight edge blocks half of it and leaves a chord of 0.7071 — exactly half the amplitude, so a quarter of the intensity, at the geometrical shadow's edge. The chord drawn here runs to v = 1.217, is 1.6556 long, and is the longest chord from the eye that exists: its square over the open chord's square is 1.370, which is why the brightest fringe outside a shadow is brighter than no obstacle at all.

The spiral that says how much light arrives

Huygens' construction says where a wave has got to and refuses to say how bright it is, because an envelope is a locus and a locus has no amplitude. Adding the wavelets with their phases instead of taking their envelope turns the whole subject into one curve, and every near-field pattern there is becomes a chord of it.

waves · Huygens Nine planes behind a grating, with no lens anywhere. The intensity across two periods of a 20 µm grating, at nine planes between it and the Talbot distance z_T = 2d²/λ = 1.26 millimetres, illuminated at 633 nm. The top profile is the grating itself and the bottom is the plane at z_T, and they agree to 2.8e-14: free space has reproduced the object with no imaging element of any kind. The middle profile, at half the Talbot distance, is the object shifted sideways by half a period, to 1.1e-14. At a quarter of the way the grating's own period has vanished entirely — its amplitude there is 1.3e-16 — because the odd orders have all turned by the same right angle and the even ones have not. With this grating open for half of each period there are no even orders either, so the plane is uniform: 9.6e-3 at twice the frequency as well, and a screen there shows no grating at all. None of this is interference between two beams; it is the whole spectrum of the object arriving with the phases exp(−iπλzm²/d²), which are all multiples of 2π when z is z_T.

The grating that photographs itself

Put a grating in a beam of light and hold a screen behind it. At one particular distance the screen shows the grating again — sharp, at full contrast, right way up, with no lens anywhere in the apparatus. Half way there it shows the grating shifted sideways by half a period. A quarter of the way there, a half-open grating shows nothing at all.

optics · Diffraction Three terms, and one distance. The three terms of an oscillating dipole's electric field against distance, in units of a reciprocal wavenumber, both logarithmic. They fall as 1/u³, 1/u² and 1/u, so they are all equal at u = 1 — a distance of λ/2π, which is a property of the frequency and of nothing about the antenna. The heavy curve is the field the three actually add up to, and it is not their sum: the static and radiation terms are in antiphase and partly cancel, which is why the total dips below every one of them just inside the crossing before settling onto the 1/u the far field is made of.

The distance where a field changes its mind

An oscillating source has three fields around it, falling as the inverse cube, the inverse square and the inverse first power of distance. They are all equal at one radius, and that radius is the wavelength over 2π — a number containing nothing about the source at all. Inside it a source mostly stores energy; outside it, mostly loses it, and the two behaviours are different technologies rather than different strengths.

electromagnetism · Retardation Radiated while the push holds, paid for when it stops. The power a charge radiates, the power the radiation reaction force takes from its motion, and the rate of change of the Schott term mτ a·v, through a push that rises over the first 20 per cent of its duration, holds steady, and falls away over the last 20, in units of mτa₀² where a₀ is the steady acceleration. Radiated power is a², the reaction force's take is −ȧv, and the Schott rate is found by differencing a·v along the trajectory; at every instant the first equals the sum of the other two. While the push is steady the reaction force is exactly zero and the charge still radiates at the full rate, all of it drawn from the Schott term. When the push stops, ȧ is large and negative while the charge is moving fast, and the reaction force takes 0.775 units, more than the 0.750 radiated over the whole push. The difference is what it handed back while the push was starting: then the charge is still slow, the reaction force points along the rising acceleration, and it does 0.025 units of work on the charge instead of taking any. The totals agree to a part in a hundred thousand.

The bill that arrives when the pushing stops

A charge accelerating steadily radiates at the full Larmor rate while the radiation reaction force on it is exactly zero, so for as long as the push holds, nothing about the charge's motion pays a single watt. The energy is lent by the field that travels with the charge, the loan is called the Schott term, and it is repaid the moment the acceleration changes.

astrophysics · Radiating charge

Named alongside it

The objects these essays reach for when they reach for this one.

DiffractionInterferencePhaseWavefrontAmplitudeCoherenceDipole radiationElectromagnetic waveEnergy conservationFourier transformFresnel diffractionFresnel zones

All concepts