Bragg reflection — where it appears
Named by 2 essays across one field — each of them below, with the objects they name alongside it.
The sandbars that reflect the sea
A stack of alternating layers reflects the one colour whose half-wavelength matches the repeat. A row of sandbars on a gently sloping seabed is the same arrangement for ocean waves, and it does the same thing. Waves twice as long as the bar spacing are sent back out to sea, one small reflection per bar, all adding in step. A patch of eight bars can return most of the swell that meets it. The reflected wave, added to the incoming one, makes a standing pattern whose nodes are spaced exactly like the bars. Sand gathers in that pattern, so a field of bars can build its own next bar.
The chirp a staircase sings back
A hand clap at the foot of the great stair of El Castillo at Chichén Itzá is answered by a chirp — a falling whistle that some have compared to the call of the quetzal bird. Nothing in the stone is tuned. Each of the ninety-one steps returns its own copy of the clap, the copies arrive as a train of clicks, and the ear hears a regular train of clicks as a pitch. The pitch falls because the steps are not evenly spaced as the listener sees them: low steps are seen almost level, a tread apart, and high ones almost along the slope, a whole step's diagonal apart. It is Bragg reflection from a grating whose period, seen from one spot, changes along its length.
Named alongside it
The objects these essays reach for when they reach for this one.
Band gapBloch waveChirpDiffraction gratingEchoPath differencePeriodic mediaPeriodic structurePitchRepetition pitchSediment transportShallow water waves