Illustrated Physics
physics, drawn
Series

Superposition — the series

5 essays on one idea, from the one that introduces it to the one that assumes the rest.
  1. Two sources 3 wavelengths apart. Circular wavefronts from two sources, with the lines along which they arrive in step drawn through the pattern. Those lines are where the path difference is a whole number of wavelengths.

    When two waves meet, they simply add

    Waves pass through each other unchanged and their displacements add point by point. From that one impoverished-sounding rule comes interference, beats, and the evidence that light is a wave at all.

    part 1 · waves
  2. The cross term, and the fact that it averages to nothing. The intensity of two waves of amplitude 1 and 0.7 added together, against the phase difference between them, in turns. A detector reads the square of the summed amplitude, which is the sum of the two intensities plus a cross term that swings between plus and minus twice the product. At no phase difference the reading is 2.89 and at half a turn it is 0.09; the flat line is what the two would give with no interference, 1.49, and it is exactly the average of the curve over a whole turn. Interference redistributes and does not create — which answers the question of where the energy goes at a dark fringe by saying that it never left.

    What adding does to the energy

    Waves add their amplitudes and detectors read squares, so two waves together do not deliver the sum of what each delivers. Where the two get dimmer, the natural question is where the energy went — and the answer depends entirely on whether the sources can feel each other.

    part 2 · waves
  3. How far the vacuum is from being a nonlinear medium. The size of the vacuum's departure from linearity, as a fraction, against the electric field it is subjected to — thirteen decades of field and twenty-eight of correction, both logarithmic. The scale is the Schwinger field, computed here from the electron's mass and the fundamental constants as 1.32e+18 volts per metre: the field at which a pair gains its own rest energy over a Compton wavelength, and therefore the field at which the vacuum stops being a passive backdrop. The marks are the strongest fields that exist. a laboratory magnet, 10 T is 2.3e-9 of it; a hydrogen atom's own field is 3.9e-7 of it; a 10²² W/cm² laser focus is 2.1e-4 of it; the Schwinger field is 1.0e+0 of it; a magnetar, 10¹¹ T is 2.3e+1 of it. So a laboratory is twenty-eight decades from making the effect large, and a magnetar's field is above the critical one — which is why the only places the vacuum's nonlinearity has been seen are the two where the fields are not human: the ultraperipheral collision of two heavy nuclei, and the surface of a neutron star.

    The one medium that was supposed to add exactly

    Superposition holds because an equation is linear, and every material stops being linear at some amplitude. Empty space was the exception: Maxwell's equations are linear exactly, and two beams cross with no interaction of any kind. Quantum electrodynamics says otherwise — light scatters light, and a strong field makes the vacuum birefringent — at a field of 1.3 × 10¹⁸ volts per metre, which no laboratory has come within four decades of.

    part 3 · waves
  4. Modes added in step: a train of pulses. The intensity of the sum of N waves of equal amplitude at equally spaced frequencies, all starting in phase, against time in units of the round trip — the inverse of the spacing — for N = 5, 10, 20. The sum is a train of pulses, one per round trip, each of peak intensity N² times one wave's and width about 1/N of the round trip. Between the pulses the waves cancel almost completely. The average intensity is N, as it must be — 5.01 for N = 5, 10.04 for N = 10, 20.19 for N = 20 — so the pulses do not create energy; they move it all into a fraction 1/N of the time, where it is N times more intense than it would be if spread evenly.

    The phases that turn a glow into pulses

    A laser oscillates on many frequencies at once, spaced by the time light takes to go round its cavity. Add those waves with random phases and the output is a steady glow with noise in it. Add exactly the same waves with their phases equal and the output is a train of pulses, each N² times brighter than one wave and a fraction 1/N of the round trip long. Nothing about the frequencies, the amplitudes or the average power changes — only the phases, and they decide everything a detector fast enough would see.

    part 4 · waves
  5. 3 beams crossing: change the phases and the pattern only slides. The intensity where 3 plane waves of one wavelength cross in a plane, their directions spread evenly round the circle, for three different sets of relative phases, each panel spanning 2.2 wavelengths. Darkest shading is brightest, in five steps of a fifth of the peak. The three patterns are the same lattice of bright spots moved sideways: for each of the altered sets there is a shift that reproduces the first pattern to 2.0 per cent of the peak. With 3 beams in two dimensions there are 2 relative phases and 2 directions to slide in, so every change of phase is a slide.

    The lattice no phase can bend

    Cross a few laser beams of one colour and they paint a crystal of light in the space where they overlap. The beams' phases drift whenever a mirror trembles, and it would seem the pattern must tremble with them. Whether it does depends on a count. Three beams in a plane, or four in space, give a lattice whose shape no change of phase can alter — the phases can only slide it. One beam more and the phases decide the shape, and must be held still.

    part 5 · waves

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