Illustrated Physics
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Series

Standing waves — the series

7 essays on one idea, from the one that introduces it to the one that assumes the rest.
  1. Harmonics on a fixed string. Standing-wave patterns on a string clamped at both ends, at n = 1, 2, 3, 4. Only whole numbers of half-wavelengths fit, which is why the allowed frequencies are discrete.

    Only some notes fit, and that is where discreteness comes from

    A string clamped at both ends can vibrate at some frequencies and not others. A continuous object producing a whole-number list is the oldest quantisation in physics.

    part 1 · waves
  2. The states a box allows, drawn on their energies. A particle confined between two walls one unit apart. States 1, 2, 3 are drawn, each riding on a line at its own energy — 1E₁, 4E₁, 9E₁ — because the energies go as n². Each wavefunction has n − 1 places where it crosses zero inside the box: 0 for n = 1, 1 for n = 2, 2 for n = 3. Nothing about the particle's mass or the depth of the well appears in the shapes; only the count of half-wavelengths that fit does.

    The box that allows only some energies

    Confine a wave between two walls and only the shapes that fit survive. That is a fact about strings, organ pipes and drumheads, and applying it to a matter wave produces quantisation with no new assumption at all.

    part 2 · quantum
  3. 6 modes of a drum, and their frequency ratios. Nodal-line diagrams for 6 modes of a circular membrane, each labelled with its frequency as a multiple of the lowest mode's. A mode (m, n) has m nodal diameters and n − 1 nodal circles, and the circles are drawn at the radii where the computed radial function J_m(j(m,n)·r/R) crosses zero — not at guessed fractions of the radius. The two tints are the two directions the head is moving in at that instant, and the lines between them are the parts of it that never move. The ratios are 1.000, 1.593, 2.136, 2.295, 2.653, 2.917: each one is a quotient of two zeros of Bessel functions, computed here from the power series and checked against their published values to 4.4e-7. Not one is a whole number, which is why a drum has no harmonic series and no pitch in the sense a string has one — and why these same ratios belong to every circular membrane ever stretched, whatever it is made of and however tightly it is pulled.

    The drum that has no harmonics

    A string's allowed frequencies are 1, 2, 3, 4 times its lowest, because counting half-wavelengths is arithmetic. Clamp a membrane round a circle and the same reasoning returns 1.000, 1.593, 2.136, 2.295 instead — zeros of Bessel functions, not integers. And those numbers belong to the shape of the boundary alone, which raises a question nobody could answer until 1992.

    part 3 · waves
  4. How many modes a square has below a given wavenumber. The number of vibration modes of a square with wavenumber below k, counted exactly — every eigenvalue of this region is a closed form, so the staircase is the true count and not an estimate. There are 265 of them below k = 60. The smooth curves are what Weyl's law predicts. The upper one is the leading term alone, the area times k² over 4π, and it is too high by 21.5 modes at the right-hand edge; the lower one subtracts the perimeter term, the perimeter times k over 4π, and is out by 2.4. The content of the law is that the count depends on the region through its area and its perimeter and — to this order — through nothing else at all: not through its shape, not through where its corners are, not through whether it is convex. The staircase's steps are the individual modes, and they cluster where two different pairs of indices give the same wavenumber. That the count is smooth in the large while being a staircase in the small is what makes a mode count usable in thermodynamics, where it appears as a density of states and never as a list.

    How many ways there are to vibrate

    A drum has infinitely many modes, and below any given frequency it has a finite number of them. That number turns out to depend on the drum's area and the length of its rim and — to the accuracy anybody uses — on nothing else about its shape. Almost every result in thermal physics that involves waves is an application of that count.

    part 4 · waves
  5. Four modes of a string that is heavier in one place. The first four modes of a string whose mass per unit length rises to 5 times the light end's over a smooth bump centred 62 per cent of the way along, drawn beneath them. Nothing is symmetric any more: the shapes bunch up over the heavy region, where the local wavelength is shorter, and the amplitudes there are smaller. The frequencies are 1.70, 4.01, 6.10, 8.12, which are in the ratios 1.000, 2.361, 3.590, 4.779 rather than 1, 2, 3, 4 — this string has no harmonics and would sound like a bell rather than a violin. What has not changed is the one thing an ordering needs: the interior zeros, marked, run 0, 1, 2, 3 exactly as they do on a uniform string. That is Sturm's theorem, and the nodes here are counted on the computed shapes rather than assumed.

    The count that cannot be cheated

    A string with a lump in it has no harmonics, no symmetry and no obvious order to its modes. It has one thing left: the nth mode crosses the axis exactly n−1 times, whatever the string is made of. Ordering by frequency and ordering by node count turn out to be the same operation, and in two dimensions the equality quietly becomes an inequality.

    part 5 · waves
  6. Minima that are not zeros. The amplitude along a line carrying a wave towards a load and its reflection back, for reflection magnitudes of 0, 0.35, 0.7, 1. With everything reflected the pattern touches zero and is a standing wave in the strict sense. With less than everything it does not: the minima sit at one minus the reflection and the maxima at one plus it, so the pattern is a partial standing wave sitting on a travelling one. The spacing is half a wavelength in every case, and the depth is the only thing that changes — which is why one number, the ratio of the maximum to the minimum, is enough to report the whole pattern.

    The node that is not standing still

    A wave meeting a perfect reflector makes a standing wave with real nodes. A partial reflection makes something that looks the same and is not: the minima are not zeros, energy flows steadily through them, and the depth of the pattern is a measurement of the load that caused it.

    part 6 · waves
  7. Where a small weight is felt, and where it is not. The fractional change in the frequency of harmonic 3 of a stretched string when a point mass of 0.06 of the string's own mass is placed at each position along it. The solid curve is the exact answer, found by solving the string's frequency equation for the loaded string at each position; the dashed curve is the first-order prediction, minus the mass fraction times the square of the mode shape. The two agree to 10.4 per cent at the antinode, where the shift is largest. Every node is a place where the exact shift is zero to better than a part in a thousand million, and that is not an approximation: a mass at a node is never moved by the mode, so it takes no part in the motion and cannot change its rate. Between the nodes the shift follows the square of the displacement, which is the square of the amplitude — the mass is felt in proportion to the kinetic energy the mode was already keeping there.

    The dent that raises the note

    Push a wall of a resonator inwards and the pitch goes up or down depending entirely on where the wall is pushed. A mass added at a node changes nothing at all; the same mass at an antinode changes as much as it can. One rule covers a loaded string, a tuned microwave cavity and a bead drawn through a resonator to read out its field.

    part 7 · waves

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