Polarisation — the series
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The direction of the shaking, and the filter that only asks about it
A wave that travels one way can still shake in any direction across that way. Light does, most of it shakes in all of them at once, and a sheet of plastic can ask which.
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The angle at which reflection picks a side
At one angle of incidence, a water surface reflects no light at all of one polarisation. The Fresnel algebra says so, and says nothing about why. The reason is that the reflected ray would have to leave along the axis of the charges radiating it — and a shaking charge sends nothing along the direction it shakes in.
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The crystal that answers twice
Lay a piece of calcite on a printed page and the print appears twice. One image sits still when the crystal is turned and the other goes round it. Nothing has been done to the light except pass it through a material whose response to a field is not a number.
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The rotation a return trip doubles
Quartz turns the plane of polarisation and so does glass in a magnetic field. The two look identical on the way through and are opposites on the way back — the crystal undoes its own rotation exactly, and the magnet adds to it. That difference is the whole of why a one-way street for light can be built at all, and why nothing passive will ever be one.
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The phase that is only a shape
Take a beam of polarised light through a sequence of elements that returns it to the polarisation it started with, and it comes back with a phase it did not have before. That phase is not an optical path length — it does not depend on the thickness of anything, or on the wavelength, or on how slowly the sequence was carried out. It is minus half the area the path enclosed on the sphere of polarisation states, and nothing else.
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The retarder with no crystal in it
A wave plate turns linear polarisation into circular by making one component travel a little further than the other, which requires a birefringent crystal cut to a thickness and works properly at one wavelength. Total internal reflection does the same job with a phase that comes from the geometry instead — and because a refractive index barely changes across the visible where a wavelength changes by a factor of two, the same block of ordinary glass is a quarter-wave plate for every colour at once.
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The light with no direction of shaking
Unpolarised light is not a state of a wave; it is the absence of one, and no description of a single wave can represent it. What can is a set of four numbers, all of them powers a detector reads — and they describe every beam there is, including the ones that are neither polarised nor not.
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The pattern the sky is written in
Scattered sunlight is polarised, so the whole sky carries a direction of vibration at every point — arranged in circles about the sun, strongest on the great circle ninety degrees away from it, and vanishing at points that were found by looking before anyone could explain them. Bees navigate by it and a camera filter reads one band of it.
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The stress that polarised light can see
Squeeze a disc of clear plastic and look at it between two crossed polarising filters, and it fills with dark lines and coloured bands that crowd towards the points where it is pressed. Each line is a contour of stress. Glass, plastic and most transparent solids become doubly refracting when they are loaded, in proportion to the difference between their largest and smallest stresses, and polarised light turns that difference into a pattern that can be counted. David Brewster found it in 1816, the same Brewster whose angle polarises reflected light, and for a century the way to learn the stresses in a bridge or a dam was to cut its shape from plastic, load it and photograph the fringes.
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The twist that carries light round a corner
Between two crossed polarisers, a sandwich of liquid crystal a few micrometres thick turns black to white. Its long molecules lie flat, but turned a quarter-turn from one face of the layer to the other, and polarised light entering along the molecules at one face comes out along them at the other — rotated by ninety degrees and able to pass the second polariser. Charles Mauguin found in 1911 that a slowly twisting birefringent layer drags light's polarisation round with it. Sixty years later the effect became the liquid-crystal display. The layers in those displays, though, are too thin to drag anything: the light inside them wanders off and comes back, at exactly the right thickness.
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The grid that stops the light along its wires
A row of parallel wires looks like a fence, and a fence ought to let through a wave that shakes along its slats. A grid of wires does the opposite. A field along the wires drives electrons up and down them, the currents re-radiate, and the wave is reflected; a field across the wires can move charge only through a wire's width, and passes. Heinrich Hertz used such a grid in 1888 to show that his new waves were polarised. The same grid, shrunk two hundred thousand times to wires 140 nanometres apart, polarises visible light in projectors — and every sheet of polarising plastic is the same idea made from chains of iodine.