Illustrated Physics
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Series

Huygens — the series

5 essays on one idea, from the one that introduces it to the one that assumes the rest.
  1. Why a straight front stays straight. A plane wavefront, with 9 points on it treated as sources and a wavelet of radius vt drawn about each. The envelope of those circles — the curve touching all of them — is a second straight line, parallel to the first and displaced by exactly vt. That is the whole of straight-line propagation: nothing else has to be assumed, and in particular nothing has to be said about rays, which are afterwards defined as the normals to these fronts. The construction is drawn with the wavelets left in, because they are the part that does the work.

    Every front is a source

    Treat each point of a wavefront as though it were a little source of its own, and take the envelope of what they produce. That one rule gives straight-line propagation, reflection, Snell's law and diffraction — and its most famous failure is what told everyone what was missing from it.

    part 1 · waves
  2. The Cornu spiral, and the chords that are amplitudes. Fresnel's two integrals plotted against each other, traced from v = -4.2 to 4.2. Arc length along the curve is v — the distance along the wavefront in units of √(λL/2) — and the amplitude arriving from any stretch of that front is the straight chord between the stretch's two endpoints, not the length of curve between them. The two eyes at ±(½, ½) are where the far parts of an unobstructed front pile up, so the whole open front is the chord between them, of length 1.4142. A straight edge blocks half of it and leaves a chord of 0.7071 — exactly half the amplitude, so a quarter of the intensity, at the geometrical shadow's edge. The chord drawn here runs to v = 1.217, is 1.6556 long, and is the longest chord from the eye that exists: its square over the open chord's square is 1.370, which is why the brightest fringe outside a shadow is brighter than no obstacle at all.

    The spiral that says how much light arrives

    Huygens' construction says where a wave has got to and refuses to say how bright it is, because an envelope is a locus and a locus has no amplitude. Adding the wavelets with their phases instead of taking their envelope turns the whole subject into one curve, and every near-field pattern there is becomes a chord of it.

    part 2 · waves
  3. A step, a wave from the rim, and what they make together. The pattern behind a straight edge, split into the two things Young said it was: the incident wave where the edge does not block it, which is a step, and a wave that appears to come from the rim itself. The step is discontinuous at the shadow boundary by the whole incident amplitude. The edge wave's magnitude is continuous there, to 0.0e+0 — it changes phase by π instead of changing size — and it is exactly half the incident amplitude on both sides, which is why the total intensity on the geometrical shadow boundary is 0.250000 of the unobstructed value rather than a half. Everywhere else the two add, and their sum reproduces the directly computed field to 0.0e+0. The fringes in the lit region are the interference of the two, which is why they are fringes at all: a monotonic decay has nothing to beat against. In the shadow there is only the edge wave, so there is nothing to interfere with and the intensity falls smoothly.

    The wave that comes from the rim

    A shadow's edge is not a boundary between light and no light, and the fringes on either side of it are not a smudge. The whole pattern is the sum of two things — the light nothing blocked, and a single wave that behaves in every respect as though the rim of the obstacle were radiating it — and splitting it that way is exact rather than a picture.

    part 3 · waves
  4. Three ways for a wavelet to be strong, and what each leaves behind. On the left, the strength of a secondary wavelet against the angle from the forward direction, for three candidate rules. Huygens' construction as stated has no such rule: a wavelet is spherical and equally strong in every direction. On the right, what each predicts when the wavelets over a whole plane are added up, on the axis, in front of the plane and behind it. All three reproduce the incident wave in front, which is the part of the construction that has always worked. Only the rule that falls to exactly nothing at a hundred and eighty degrees leaves nothing behind, and that rule is not a repair invented for the purpose — it comes out of solving the wave equation.

    The backward wave Huygens had to remove

    Every point of a wavefront is a source of a spherical wavelet, and a spherical wavelet goes in every direction — so the construction predicts a wave travelling backwards as well as forwards. Nothing of the kind exists, and the repair is a factor that Huygens' geometry has no room for.

    part 4 · waves
  5. One slit, four distances, one multiplication. The intensity across the beam behind a slit 5 wavelengths wide, at distances of 0.5, 5, 25, 100 wavelengths, each computed by multiplying the slit's plane-wave spectrum by the phase each wave accumulates and transforming back — no approximation about angles. Close to the slit the pattern is the slit's own shape with ripples at its edges; further out the ripples move inwards and the beam develops a bright centre; far away it spreads into the diffraction pattern. The travelling part of the field keeps its power to 10⁻¹⁰, running it back 100 wavelengths recovers it to 5 × 10⁻¹⁴, and at 100 wavelengths the result matches a direct Fresnel integral to 2.75 per cent rms. Near field and far field are not two theories; they are one multiplication at different distances.

    The fan of plane waves inside every beam

    Huygens added up wavelets from every point of a front. The same content can be written as a sum over plane waves travelling in every direction, and then propagation stops being an integral and becomes a multiplication: each plane wave picks up a phase in proportion to the distance. One square root in that phase holds all of diffraction, near field and far field alike — and when the square root turns imaginary, it holds the reason no instrument a wavelength away can see detail finer than half a wavelength.

    part 5 · waves

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