Guided waves — the series
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The pipe that will not carry a low note
A wave squeezed sideways acquires a lowest frequency. Below it nothing travels — the field is there, it is large, and it goes nowhere. Above it the guide is dispersive whether or not anything in it is, and the pattern inside runs faster than light while the signal does not.
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The channel with no walls
A pipe will not carry a note below its cutoff, and no length of pipe helps. Replace the walls with nothing but a region where the wave travels slightly slower, and the cutoff disappears — however weak the contrast and however thin the channel, at least one mode is bound. The difference is not a matter of degree; it is the difference between a boundary condition and a potential well.
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The wave a surface is enough to hold
A pipe guides with walls and a fibre guides with a slower core. A solid needs neither: one free surface binds a wave that is not a bulk wave bouncing but a separate solution, travelling slower than any wave in the material, dying away exponentially into it, and carrying its energy round a circle instead of over a sphere — which is why it is the part of an earthquake that knocks buildings down.
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The mode that will not turn a corner
Bend a waveguide and the field has to go round with it, which means the part furthest from the centre has to travel faster. Past a certain distance it would have to travel faster than the surrounding medium allows, and everything out there radiates away — which is why bend loss is exponential in the radius and arrives all at once.
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Two tails that swap everything
Bring two guides close enough for their evanescent tails to overlap and they do not leak a little power into each other. They exchange all of it, and then exchange it back, over a length fixed by the splitting between two modes that belong to neither guide — so a coupler is cut to a length rather than tuned to a ratio, and the length depends exponentially on a gap of a few hundred nanometres.
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The coupler that does not care about the colour
Two identical guides side by side swap their light back and forth, and a coupler cut to the length of one swap works perfectly at one wavelength and badly at every other. Make the guides unequal, and sweep the inequality from one sign to the other along their length, and the light no longer swaps — it follows a single mode of the pair as that mode moves from one guide to the other. The transfer is then nearly complete across hundreds of nanometres of wavelength and immune to the widths being made wrong, and it costs length.
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The loss that falls as the frequency rises
Every metal conductor loses more at higher frequencies, because the current crowds into a thinner skin and meets more resistance. One wave in a round metal pipe breaks the rule. The TE₀₁ mode's electric field circles the axis and touches the wall nowhere. As the frequency rises it becomes more and more nearly a plane wave running down the middle of the pipe, and it drives less and less current in the metal. Its loss falls with frequency, to about half a decibel per kilometre at 60 GHz in a pipe 60 mm across. In the 1960s it was the best way anyone knew to send a hundred thousand telephone calls across a continent. The catch was that the pipe also carried seven hundred other modes.
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The tone the whole Earth rings at
The ground conducts and so does the ionosphere, eighty kilometres up, and between them lies a waveguide the size of the planet. Two walls, unlike a pipe, carry waves of any length, so the guide takes radio waves forty thousand kilometres long — longer than the world is round — and, closed on itself, it rings. Lightning strikes fifty times a second and keeps it ringing at about 7.8, 14.3 and 20.8 hertz. Perfect walls would put the tones at 10.6, 18.4 and 25.9; the difference is the ionosphere, a ceiling that leaks.
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The plate that carries two kinds of sound
Tap the edge of a sheet of aluminium and the sound that runs along it is not one wave but two, and neither is the sound of the metal. One stretches the sheet and travels at 5.44 km/s, faster than a shear wave and slower than a compression wave in the same metal. The other bends it, travels at a speed that depends on how high the note is and how thick the sheet is, and at low frequency crawls at a few hundred metres a second. Both are made of the same two bulk waves bouncing between the faces, and the two faces together decide everything.
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The echo hidden in random noise
A seismometer that is not recording an earthquake is not recording silence. It hears the Earth's hum: the pounding of ocean waves on every coast, arriving from all directions as surface waves with periods near ten seconds, indistinguishable from random noise. Two seismometers sixty kilometres apart hear different noise. Yet if their records are correlated and averaged over hours, a pulse appears at a lag of twenty seconds — the time a wave takes to travel from one to the other — exactly as if an earthquake had happened under one station and been recorded at the other. Noise from everywhere contains the echo between any two points, and since 2005 seismologists have mapped the Earth's crust with it.