Generator

Wavefronts from a moving source

One function in the waves library, called 25 times across 5 essays. Below: what it draws at its defaults, what it draws at every branch an essay asks for, whether the site's own gate puts a claim to it, and everywhere it is called.

At its defaults it draws wavefronts from a moving source. Circles showing where each crest has reached, centred on where the source was when it emitted them. Ahead of the source the crests are closer together and the frequency heard is higher; behind, they are spread out and it is lower.

doppler-wavefronts is one function in lib/figures/waves.js — travelling, standing, adding and shifting. Everything below came out of it during this build, at parameters taken from the essays rather than invented for this page. A figure here is the figure a reader meets in an essay, and if the generator changes, this page changes with it.

At its defaults

Drawn even though every essay passes options, because a default nothing exercises is a trap for the next essay to call this with none — which has happened here twice.

Wavefronts from a moving source. Circles showing where each crest has reached, centred on where the source was when it emitted them. Ahead of the source the crests are closer together and the frequency heard is higher; behind, they are spread out and it is lower.

Circles showing where each crest has reached, centred on where the source was when it emitted them. Ahead of the source the crests are closer together and the frequency heard is higher; behind, they are spread out and it is lower.

A source moving faster than its own waves

The options are the ones The cone the source leaves behind passes. A branch drawn at its own defaults instead would be a picture no essay asked for and no assertion has been run against.

A source moving faster than its own waves. Circles showing where each crest has reached, centred on where the source was when it emitted them. Ahead of the source the crests are closer together and the frequency heard is higher; behind, they are spread out and it is lower.

Circles showing where each crest has reached, centred on where the source was when it emitted them. Ahead of the source the crests are closer together and the frequency heard is higher; behind, they are spread out and it is lower.

The angle measures the speed, and contains nothing else

The options are the ones The cone the source leaves behind passes. A branch drawn at its own defaults instead would be a picture no essay asked for and no assertion has been run against.

The angle measures the speed, and contains nothing else. Half-angle of the Mach cone against Mach number, with the marked values measured off the constructed wavefronts rather than computed: for each speed, six circles are laid down at the positions and radii the construction gives, and the tangent from the apex to each is taken. All six agree to a part in 10¹², because the ratio of a circle's radius to its distance from the apex is c/v for every one of them. Mach 1.2 gives 56.4°; Mach 1.6 gives 38.7°; Mach 2 gives 30.0°; Mach 3 gives 19.5°. The relation sin θ = 1/M has no dynamics in it at all — no pressure, no density, no shape of the object — so a photograph of a shock wave is a speedometer, and it is the only one that needs nothing on board.

Half-angle of the Mach cone against Mach number, with the marked values measured off the constructed wavefronts rather than computed: for each speed, six circles are laid down at the positions and radii the construction gives, and the tangent from the apex to each is taken. All six agree to a part in 10¹², because the ratio of a circle's radius to its distance from the apex is c/v for every one of them. Mach 1.2 gives 56.4°; Mach 1.6 gives 38.7°; Mach 2 gives 30.0°; Mach 3 gives 19.5°. The relation sin θ = 1/M has no dynamics in it at all — no pressure, no density, no shape of the object — so a photograph of a shock wave is a speedometer, and it is the only one that needs nothing on board.

A source moving faster than its own waves

The options are the ones The cone the source leaves behind passes. A branch drawn at its own defaults instead would be a picture no essay asked for and no assertion has been run against.

A source moving faster than its own waves. Circles showing where each crest has reached, centred on where the source was when it emitted them. Ahead of the source the crests are closer together and the frequency heard is higher; behind, they are spread out and it is lower.

Circles showing where each crest has reached, centred on where the source was when it emitted them. Ahead of the source the crests are closer together and the frequency heard is higher; behind, they are spread out and it is lower.

A source moving faster than its own waves

The options are the ones The cone the source leaves behind passes. A branch drawn at its own defaults instead would be a picture no essay asked for and no assertion has been run against.

A source moving faster than its own waves. Circles showing where each crest has reached, centred on where the source was when it emitted them. Ahead of the source the crests are closer together and the frequency heard is higher; behind, they are spread out and it is lower.

Circles showing where each crest has reached, centred on where the source was when it emitted them. Ahead of the source the crests are closer together and the frequency heard is higher; behind, they are spread out and it is lower.

Wavefronts from a moving source

The options are the ones The cone the source leaves behind passes. A branch drawn at its own defaults instead would be a picture no essay asked for and no assertion has been run against.

Wavefronts from a moving source. Circles showing where each crest has reached, centred on where the source was when it emitted them. Ahead of the source the crests are closer together and the frequency heard is higher; behind, they are spread out and it is lower.

Circles showing where each crest has reached, centred on where the source was when it emitted them. Ahead of the source the crests are closer together and the frequency heard is higher; behind, they are spread out and it is lower.

What checks it

physicscheck asserts something about doppler-wavefronts that could fail — it draws it and measures the result against a value reached some other way.

Across the library: 100 interrogated, 2 exercised only, 1 untouched, of 103. Read out of the gate's source by the gate's own two patterns — and the gate's last claim fails the build if that read disagrees with what it was handed while running.

Where it is called

Changing this generator changes every figure on this list. That is what makes the list worth publishing rather than keeping in a check script.

Waves

The cone the source leaves behind

Take the Doppler construction past the speed of the wave and the wavefronts acquire an envelope. Its half-angle obeys sin θ = 1/M, an expression with no pressure, no density and no shape of the object in it — so a photograph of the cone is a speedometer. And the bang is not an event at the moment of crossing — it is a signature dragged along the ground for the whole of the flight.

Waves

The note that changes on approach, and the two ways of getting it

A moving source and a moving listener produce different formulas for the same shift, because the medium is watching. The difference is small, real, and the reason light had to be treated differently.

Waves

The shift a mirror gives twice

A moving reflector is a receiver and a source in one, so it shifts a wave twice — and the two shifts are different functions of the speed, which is why the round trip is not the square of either. Everything a speed radar does follows from that, including the two things it cannot do.

Relativity

The shift that survives at right angles

For sound it matters which of the two is moving, and the two answers differ. For light there is one answer — their geometric mean — and a term with no classical counterpart at all: a source going past at closest approach, with its distance not changing, is still shifted.

Relativity

The sky that crowds into a cone

A boost does not only shift frequencies. It remaps directions, so half of everything a fast traveller can see is squeezed into a forward cone of half-angle about 1/γ — and because brightness carries four powers of the Doppler factor, what lies ahead is overwhelming and what lies behind has effectively gone.

The whole library · All essays