Optics
The bend at the boundary, and what it is really about
Light changes direction when it changes speed. Snell's law is the geometry of that statement, and it can be derived without knowing anything about light at all.
What a lens is doing, and why three rays are enough
A lens bends every ray that reaches it. The construction uses three, because three are all that can be drawn without calculation — and any three that meet prove all the rest do.
The angle past which light cannot leave
Snell's law asks for the sine of an angle greater than one, and no such angle exists. What happens instead is a perfect mirror made out of nothing but a change of speed.
The angle the rainbow has to be, and why nobody chose it
A rainbow is at forty-two degrees because a function has a minimum there. Nothing about water, light or weather picks the number — it falls out of running Snell's law three times through a sphere.
Where rays stop being enough, and a shadow acquires a bright centre
Light going through a narrow gap spreads. No amount of ray tracing predicts it, the size of the spreading is set by one ratio, and taking that ratio to zero is exactly what the ray model is.
The mirror that cannot focus, and the shape that can
A perfect sphere does not bring parallel light to a point. The blur is not a manufacturing defect — it is what the shape does, and the shape is used anyway, for a reason worth knowing.
The direction of the shaking, and the filter that only asks about it
A wave that travels one way can still shake in any direction across that way. Light does, most of it shakes in all of them at once, and a sheet of plastic can ask which.
Why the sky is blue and the sunset is not, from one exponent
Scattering goes as the inverse fourth power of wavelength, and that single number produces a blue sky and a red sun without any second explanation. The two facts look opposite and are the same arithmetic.
The path that does not change
Reflection, refraction and the angle of the rainbow are not three laws. They are one condition — that the optical path length is stationary — and the word stationary rather than shortest is the whole of what makes an elliptical mirror and a rainbow the same statement.
How far apart two things have to be
An instrument's ability to tell two things apart is not set by the quality of its glass. It is set by the width of the hole light comes through, by a factor that is the first zero of a Bessel function — and the threshold everyone quotes is a convention laid over a computed dip of 26.5 per cent.
What a thousand slits buy that two cannot
The bright directions behind a grating are fixed by its ruling pitch and the wavelength alone, and no count of lines appears in them. What the count changes is the width of each maximum, which falls as 1/N — so resolving power is mN, and 1,200 illuminated lines separate the sodium D lines with a dip of 53.4 per cent where 300 show one line and no dip at all.
Why two lamps never interfere
Adding amplitudes is unconditional; fringes are not. What decides is whether the phase difference holds still for longer than a detector takes to record it — and a 10 nm slice of white light holds it for 100 femtoseconds, across a path of 30 micrometres.
The angle at which reflection picks a side
At one angle of incidence, a water surface reflects no light at all of one polarisation. The Fresnel algebra says so, and says nothing about why. The reason is that the reflected ray would have to leave along the axis of the charges radiating it — and a shaking charge sends nothing along the direction it shakes in.
The ray that bends without a surface
Snell's law is about a boundary, and light bends in air where there is no boundary anywhere. Let the index vary continuously and the law of angles becomes a differential equation — one that carries a conserved quantity, forbids the ray from reaching certain heights, and turns a hot road into a mirror a hundred metres long.
How far a wave can remember
Split a beam, delay one half, and put them back together. The fringes are bright while the delay is short and fade as it grows, and the distance at which they die is fixed by nothing but the width of the source's spectral line. Watching them fade is reading the line shape.
Two glasses that cancel a derivative
A single lens focuses blue light closer than red, and the difference ruins the image. Cementing a second lens of another glass behind it fixes the fault at two wavelengths and at no others, because the condition sets a slope to zero rather than a value.
When the particle is the size of the wave
The sky is blue because small things scatter short wavelengths far more strongly. A cloud is made of the same water and scatters every colour alike. Nothing about the material changed — only the size, and one dimensionless number crossing one.
The crystal that answers twice
Lay a piece of calcite on a printed page and the print appears twice. One image sits still when the crystal is turned and the other goes round it. Nothing has been done to the light except pass it through a material whose response to a field is not a number.
The reflection that happens where the glass is not
Total internal reflection sends back every photon, which is why it is called total. It does not send them back from where they arrived — the beam re-emerges displaced along the surface, by a fraction of a wavelength, and a displacement is only possible if the light spent time on the far side of a boundary it never crossed.
The path that takes the longest time
Light is said to take the quickest route. Put a source and a detector in front of a mirror curved a little more than the ellipse through them, and the route it takes is slower than every route beside it — by construction, not by exception. The principle was never about least; it was about stationary, and the difference is where optics stops being geometry.
The brightness no lens can increase
A lens can make an image smaller and therefore hotter, and there is a temperature at which it stops — the temperature of the source. Every arrangement of glass and mirrors ever built obeys a bound that contains no wavelength, no aperture and no material — only the angle the receiver is allowed to accept — and the bound comes from thermodynamics rather than from optics.
The rotation a return trip doubles
Quartz turns the plane of polarisation and so does glass in a magnetic field. The two look identical on the way through and are opposites on the way back — the crystal undoes its own rotation exactly, and the magnet adds to it. That difference is the whole of why a one-way street for light can be built at all, and why nothing passive will ever be one.
The image that is a diffraction pattern twice
A lens does not project an object onto a screen. It takes the object's spatial frequencies apart, spreading them across its own back focal plane at an angle each, and then puts them back together — so an image is the object's spectrum, filtered by whatever the aperture admits, transformed back. With only the zeroth order through, the image is a uniform grey with no information in it at all.
The grating that photographs itself
Put a grating in a beam of light and hold a screen behind it. At one particular distance the screen shows the grating again — sharp, at full contrast, right way up, with no lens anywhere in the apparatus. Half way there it shows the grating shifted sideways by half a period. A quarter of the way there, a half-open grating shows nothing at all.
Why a litre of water is not blue for the reason the sky is
The same molecules that make the sky blue also make the refractive index of air, and the two numbers agree because the sideways sum has random phases and the forward one does not. Condense those molecules into a liquid and the sideways sum collapses by a factor of sixteen — and what is left is thirty-four times smaller than the absorption that actually colours the water.
The condition a lens must meet
A paraboloid brings every parallel ray to exactly one point. Move the source a fifth of a degree off axis and the image is a fan rather than a point, and the reason is a condition Abbe wrote down that has nothing to do with the axis — perfection at one point buys nothing at the next one along.
The fringe that measures a star
Set two apertures 3.07 metres apart in 1920 and the fringes from Betelgeuse vanish. That single fact gives the star's angular diameter to two significant figures, without ever forming an image of it — because the contrast of a fringe pattern is a Fourier component of the source's own shape.
The wavelength a fibre does not smear
Fused silica's index has a second derivative that passes through zero at 1,273 nanometres, and that is not a design choice — it is where the ultraviolet and infrared absorptions balance. A pulse sent at that wavelength arrives the shape it left. A pulse at the wavelength of least loss arrives 1,800 picoseconds wider after a hundred kilometres.
The fringes below the rainbow
Geometric optics puts the whole rainbow at one angle and predicts an infinite brightness there. What is seen instead is a peak displaced inside that angle, followed by a train of pink and green arcs — and their spacing is a measurement of the raindrops, because a caustic's structure is set by the wavelength to the two-thirds power over the drop radius to the two-thirds.
The phase that is only a shape
Take a beam of polarised light through a sequence of elements that returns it to the polarisation it started with, and it comes back with a phase it did not have before. That phase is not an optical path length — it does not depend on the thickness of anything, or on the wavelength, or on how slowly the sequence was carried out. It is minus half the area the path enclosed on the sphere of polarisation states, and nothing else.
The ring at twenty-two degrees
A halo round the sun is a caustic in orientation rather than in space. Most of the ice crystals in a cirrus cloud send light nowhere in particular; the ones near minimum deviation all send it to nearly the same angle, because a minimum is flat — and the angle they pick has a red inner edge, which is the reverse of a rainbow.
The grain that is in the light
Point a laser at a wall and the wall appears to be covered in a fine boiling texture. Nothing on the wall is that size and nothing about the wall decides it: the grain belongs to the aperture looking at it, the statistics are the same for every rough surface there is, and the most likely brightness anywhere in the pattern is zero.
The lens that is a set of rings
A lens focuses by delaying the light at its centre until every path takes the same time. A zone plate does the opposite: it changes nothing about the light that gets through, and paints out the light that would have arrived out of step. Half the aperture is thrown away and the axis gets brighter, which sounds like a contradiction and is the whole idea.
The retarder with no crystal in it
A wave plate turns linear polarisation into circular by making one component travel a little further than the other, which requires a birefringent crystal cut to a thickness and works properly at one wavelength. Total internal reflection does the same job with a phase that comes from the geometry instead — and because a refractive index barely changes across the visible where a wavelength changes by a factor of two, the same block of ordinary glass is a quarter-wave plate for every colour at once.
The law that only asks about one component
A boundary between two media cannot change the part of a wave that runs along it, because both sides have to agree on the phase at every point of the surface at every instant. That single restriction produces the refracted ray, the critical angle, the evanescent field and every order of a diffraction grating, out of one drawing made with a compass.
The correlation that survives what the phase does not
Two telescopes can measure a star's diameter by interfering the light, which requires holding two paths equal to a fraction of a wavelength through an atmosphere that will not hold still. Or they can throw the phase away entirely and correlate the brightness fluctuations, which needs the paths equal to a few metres and works.
The cone a fibre will accept
A fibre takes light from a cone whose half-angle depends on two refractive indices and nothing else — not on how thick it is, not on how long, not on what is shining into it. That single number, squared and multiplied by the core's area, is all the light it will ever carry.
The focus that is a slab, not a plane
A lens images one plane and no other, which would make every photograph and every micrograph almost entirely out of focus. What rescues them is a tolerance — and there are two of them, one from rays and one from waves, which give different answers and stop being interchangeable exactly where microscopes work.
The light with no direction of shaking
Unpolarised light is not a state of a wave; it is the absence of one, and no description of a single wave can represent it. What can is a set of four numbers, all of them powers a detector reads — and they describe every beam there is, including the ones that are neither polarised nor not.
Everything a scatterer removes, from one direction
How much light a particle takes out of a beam — by scattering it anywhere at all, and by absorbing it — is fixed entirely by what it does in the forward direction, where its scattered wave cannot be told apart from the incident one. The mechanism is interference, and it also gives the refractive index.
The surface that images one point exactly
Fermat's principle says every ray from an object to its image must take the same time. Written as an equation, that is a curve Descartes found — a surface with no aberration at all, at any angle. It exists, it is easy to compute, and it images exactly one pair of points and nothing else.
The fringe and the spectrum are one measurement
An interferometer with no prism and no grating in it measures a spectrum, because what it records as the path difference is scanned is the Fourier transform of the source's spectrum. Coherence length and linewidth are the same fact stated twice, and the resolution is bought in centimetres of travel.
The flat scene that comes back curved
A lens does not image a plane onto a plane. It images it onto a bowl, and the curvature of that bowl is fixed by the powers and the glasses alone — not by the shapes of the surfaces, not by where the stop is, and not by stopping down. Everything a designer usually plays with leaves it exactly where it was.
The pattern the sky is written in
Scattered sunlight is polarised, so the whole sky carries a direction of vibration at every point — arranged in circles about the sun, strongest on the great circle ninety degrees away from it, and vanishing at points that were found by looking before anyone could explain them. Bees navigate by it and a camera filter reads one band of it.
The angle that is two angles
Snell's law survives a complex index by giving a complex answer, and a complex angle is not an angle. What the phase-matching argument actually fixes is the tangential wavenumber, and when the medium absorbs, the surfaces of constant phase and the surfaces of constant amplitude stop being parallel. In silver at 550 nanometres the phase fronts run within four degrees of the surface while the amplitude decays straight into it.
The ray on the wrong side of the normal
The phase-matching construction draws a circle and a line, and the line crosses the circle twice. Every earlier construction silently took the upper intersection. Which one is physical is decided by where the energy goes rather than by where the wavevector points, and in a medium whose group velocity opposes its phase velocity the answer is the other one — so the refracted ray leaves on the same side of the normal it arrived on, a flat slab focuses, and a lens can beat the diffraction limit until loss stops it.
The cone light has to find to get out
Inside a dense material the whole hemisphere of directions outside a flat face shrinks to a narrow cone, and light made inside can leave only if it happens to be travelling within it. For gallium arsenide that is two per cent of the light. Turned round, the same cone keeps light in: a slab of silicon with a rough surface holds the light it admits for fifty-one passes. Both numbers are the n² the optical invariant carries, and neither one breaks it.
The delay that is a random variable
A fibre's core is very slightly elliptical, so its two polarisations travel at very slightly different speeds — and the ellipse turns, at random, every hundred metres or so. The delays of the pieces do not add. They random-walk, so the total grows as the square root of the length, follows the same distribution as the speeds of gas molecules, differs from one wavelength to the next, and on any particular day may be three times its average.
The cloud light has to walk through
A beam crossing thirty scattering lengths of anything should keep e⁻³⁰ of itself — a ten-millionth of a millionth. A cloud thirty scattering lengths thick lets through nearly a third of the sunlight falling on it. The light has not crossed; it has walked, one scattering at a time, and a walk through a slab obeys a law with the shape of Ohm's rather than of an exponential.
The reflection that needs no surface
Change the refractive index of a whole medium at one instant and a wave already travelling through it splits in two, one part running on and one running back, though there is no surface anywhere for it to reflect from. A boundary in time is Snell's law with space and time exchanged: the wavelength is kept and the frequency changes, momentum is conserved and energy is not.
The invariant that is a count
Étendue is an area times a solid angle, and ray optics gives it no floor — nothing in a ray has a size. Divide it by the square of the wavelength and it becomes a number of modes, its conservation becomes the conservation of a count, and the count has a least value of one. That is where the ray bound hands over to diffraction, and the handover is the same number written two ways.
The work a diluted beam will not do
Sunlight at the top of the atmosphere has the spectrum of a body at 5,762 kelvin and the energy flux of one at 394. The mismatch is not an accident of units: the light has been spread over a hundred thousand times more modes than it left in, and that dilution is entropy. Run it through a heat engine unconcentrated and five per cent of it is available as work.
The same cone, and a different arrival
The invariant fixes what a guide accepts and says nothing about when it arrives, and the two turn out to be nearly independent. Shaping the index so that the rays which travel furthest also travel fastest cuts the spread in arrival times by a factor of five hundred, at the cost of exactly half the light — and the acceptance cone the invariant governs is untouched throughout.
The rings that belong to the edge
Every account of diffraction so far asks what the size of an aperture does. The rings around a star are not about its size: they are the transform of a discontinuity, they do not shrink relative to the core when the telescope grows, and the only way to remove them is to stop the transmission falling to zero abruptly. Softening the edge buys forty-five decibels of contrast and costs eighty per cent of the resolution.
How accurate a mirror has to be
The pupil's amplitude decides the rings; its phase decides the peak. A wavefront error of a fourteenth of a wave root-mean-square leaves eighty per cent of the peak intensity, which is the whole of what 'diffraction-limited' means — a convention laid over a computed number. And the number barely depends on what the error is, only on how large: four quite different aberrations of the same magnitude give nearly the same answer.
The crystal made of moments
A stack of layers that repeats in space refuses a band of frequencies and reflects them. A medium that repeats in time — its refractive index swung up and down everywhere at once — refuses a band of wavenumbers instead, and a wave with a wavenumber in that band does not reflect. It grows, exponentially, drawing on whatever is swinging the index. The construction is exact, the gap is computable from one period of the modulation, and the obstacle to building one for light is how fast a material would have to change.
The walk that interference can stop
Light scattered many times walks through a cloud, and a walk always gets through eventually — a slab twice as thick lets through half as much. Keep the waves' interference instead of adding intensities, and in one dimension the same disorder does something a walk cannot: it stops the light exponentially, traps it in modes with nothing special about where they sit, and turns transmission from a number into a spread over powers of ten. Whether the same can happen to light in three dimensions has been claimed, retracted and argued for thirty years.
The medium that images every point
A single refracting surface can be shaped to image one point perfectly and no other. A medium whose index falls smoothly away from a centre can do better: in Maxwell's fish-eye every ray from any point, leaving in any direction, arrives at one image point, and every such path takes exactly the same time. It is a perfect instrument for all of space at once — and the image it forms is sharp everywhere and a faithful copy nowhere.
The lens with no axis
Every ordinary lens has an axis, and every one of its hardest aberrations is a penalty for looking away from it. A sphere has no axis, so a sphere cannot have off-axis aberrations — but a glass ball has spherical aberration instead, because one index and one curvature are too few to focus every ray. Luneburg's sphere, whose index falls from √2 at the centre to 1 at the rim, keeps the symmetry and removes the aberration: it brings parallel light from every direction to a perfect point on its own surface.
The angle at which total reflection stops being total
Coat the back face of a glass prism with fifty nanometres of gold and total internal reflection still returns almost all the light — except at one angle, where the reflection of one polarisation falls nearly to zero. The light has gone into an electron wave bound to the far surface of the gold, and because that wave's angle depends on whatever touches the gold, the missing reflection has become one of the most sensitive balances in biochemistry.
The corner that sends light home
Three mirrors at right angles send light straight back the way it came, from any direction they can see, because each one reverses one component of its direction. Made from solid glass, a corner reflects by total internal reflection and needs no silver — which is why the reflectors left on the Moon are bare glass — but each of its six sectors then returns a different polarisation, and the returned spot loses three-quarters of its peak.
The faint light a bright one makes measurable
A photodetector does not respond to a light wave's field; it responds to the square of it. Shine a strong beam onto the detector together with a weak one at a slightly different frequency, and the square contains a term that is the weak field multiplied by the strong one — oscillating at the difference frequency, carrying the weak light's phase, and as large as the strong beam cares to make it. That product lifts a picowatt out of an amplifier's noise to the limit set by counting photons, turns an optical frequency shift into a radio one, and carries with it a quantum price that decides why radio telescopes and optical telescopes are built so differently.
The colour fringe no aperture can close
A lens bends blue light more than red, and that one fact produces two different faults. One puts the blue focus nearer the lens than the red, and closing the aperture shrinks it. The other puts the blue image of an off-axis point nearer the centre of the frame than the red one, and closing the aperture does nothing at all, because it is carried by the one ray every aperture keeps. It is why photographs have coloured fringes in their corners and not in their middles, and why a lens designer who cannot remove it with glass can sometimes remove it with symmetry, or with a distance.
The window a diamond is cut inside
A well-cut diamond sends back out of its top most of the light that falls on it, and it does so without a single silvered surface. Light entering the top is totally reflected at one sloping face of the pavilion below, again at the opposite face, and then has to leave through the top — where it must not be totally reflected. Each of those three is a condition on one angle, and together they leave a window a dozen degrees wide inside which a stone looks bright and outside which it looks glassy. The window is wide for diamond and nearly closed for glass, which is why a cutter's skill cannot make glass sparkle.
The hole that makes the sharpest picture
A pinhole camera makes a picture without bending any light: a small hole lets through, from each point of the scene, only the rays that reach one small patch of the screen. A smaller hole makes a sharper picture — until it does not. Below a certain size the hole spreads light by diffraction faster than it narrows the shadow, and the picture blurs again. The best hole balances the two, and at that balance it turns out to pass about half of the first Fresnel zone of the incoming wave: the sharpest pinhole is already beginning to behave like a lens.
The full moon that is too bright
Half a moon shows half the lit disc, so it ought to be about half as bright as a full one — a little less, allowing for the angle. It is a tenth as bright. In the last few days before full the Moon brightens far faster than its growing area can explain, and the extra light is not reflected any more strongly. It comes from shadows disappearing. The lunar soil is a loose heap of grains, and when the Sun is directly behind the observer every grain hides its own shadow.
The dispersion made of angles
Glass delays blue light more than red, so a short pulse that passes through glass comes out stretched with its red end first. At the wavelengths where most short-pulse lasers work, no transparent glass does the opposite. Two diffraction gratings do it with no material at all. The first spreads the colours in angle, the second turns them back parallel, and in between the red has travelled the longer road. A spread in angle, however it is made, always adds this kind of dispersion, of the sign glass cannot give. It is how every high-power ultrafast laser squeezes its pulse back after amplifying it.
The mirror that lights a tenth of a micrometre
Total internal reflection sends back every photon, and it leaves behind a field in the medium beyond that dies away within a fraction of a wavelength. Put a living cell on a coverslip and reflect a laser inside the glass, and that field lights only the hundred nanometres of the cell pressed against the glass: the membrane, and the proteins moving in it. Nothing else glows. The same field works in reverse. A molecule close to the glass sends part of its own light into angles no ray from the water could reach, and how much it sends there says how close it is.
The index that falls below one
Glass bends light because light is slower in it. X-rays are not slower in glass, or in anything: every material's refractive index for them is slightly less than one, by a few parts in a million. Everything about X-ray optics follows from that small number with the wrong sign. A lens that focuses them must be thinner in the middle than at the edges, and so weak that dozens are stacked in a row. A mirror reflects them only if they arrive at a glancing angle of less than a degree — totally, from the outside, the reverse of the way a diamond traps light — which is why the mirrors of an X-ray telescope are long, nested barrels rather than dishes.
The beams that add only if they differ
Take two identical lasers and try to merge their beams into one beam twice as bright. No arrangement of lenses, mirrors and prisms will do it: the brightness of light cannot be increased by passive optics, and two copies of the same beam can only ever be put side by side. The escape is to make the beams not copies. Give them crossed polarisations and two will merge. Give each a different colour and a grating will stack dozens into a single beam. Lock their phases so that they stop being separate beams at all, and they add — but only as well as the gaps between them allow and only while their phases are held to a twentieth of a wavelength.
The depth a broad spectrum can see
Interference is usually spoiled by a broad spectrum: many colours drift out of step, and fringes wash out a few wavelengths from where two paths are equal. Turned round, that failure is a ruler. Light whose colours stay in step only when two paths match to within a few micrometres can report the depth of every reflecting layer inside something translucent — a retina, a skin, a coat of paint — to that precision, without cutting it open. Optical coherence tomography reads depth off the width of a spectrum, and it has become one of the most used imaging methods in medicine; its resolution is set by how many colours the light contains, and the finest instruments use sources whose spectra span hundreds of nanometres.
The sand that darkens when it is wet
Wet sand is darker than dry sand, a wet stone darker than a dry one, a splashed pavement darker in patches, and a wet white shirt turns grey and then see-through. Water is clear and absorbs almost nothing, so it cannot be adding darkness. What it does is change where the light goes. A film of water on a surface traps light that has been scattered back up, returning most of it for another chance to be absorbed. Water in the pores between grains replaces air with something closer to the grains' own refractive index, so each grain turns light aside less, and light wanders deeper before it gets out. Both lengthen the path, and on a longer path more light is absorbed by the material that was there all along.
The stress that polarised light can see
Squeeze a disc of clear plastic and look at it between two crossed polarising filters, and it fills with dark lines and coloured bands that crowd towards the points where it is pressed. Each line is a contour of stress. Glass, plastic and most transparent solids become doubly refracting when they are loaded, in proportion to the difference between their largest and smallest stresses, and polarised light turns that difference into a pattern that can be counted. David Brewster found it in 1816, the same Brewster whose angle polarises reflected light, and for a century the way to learn the stresses in a bridge or a dam was to cut its shape from plastic, load it and photograph the fringes.
The nebula no telescope can brighten
A telescope eight metres across gathers a million times more light than the eye, and a star seen through it is a million times brighter. The Orion nebula seen through it is not brighter at all. It is bigger, and spread over a bigger patch of the retina, and the two exactly cancel: no instrument made of lenses and mirrors can show an extended object brighter than the naked eye sees it. What a telescope does is decided by the small disc of light behind its eyepiece, the exit pupil, and by whether that disc is larger or smaller than the pupil of the eye looking through it.
The four cosines at the edge of a photograph
Photograph a plain, evenly lit wall with a wide-angle lens and the corners of the picture come out darker than the middle — by more than three photographic stops with a 14 mm lens on a full-frame camera. It is usually blamed on the lens. A perfect lens does it too, and so does a pinhole, because the light reaching the edge of an image is reduced by four separate cosines of the angle it came from: three of them pure geometry, and one the slant at which it lands. Fisheye lenses avoid most of the loss by refusing to keep straight lines straight. Every wide lens is a choice between the two.
The surface that cancels whatever skims it
Glass reflects four per cent of light falling straight on it, and water at radio frequencies two-thirds of the wave's amplitude. Tilt either towards grazing and the difference disappears: every surface, whatever it is made of, reflects a wave that only skims it completely, and turns it upside down. A wave travelling along a surface therefore meets its own reflection reversed and cancels on the surface itself. That one limit explains a dark fringe Humphrey Lloyd saw with a single mirror in 1834, why a mobile signal over flat ground fades with the fourth power of distance rather than the second, why a radar above the sea is blind at the horizon, and how a cliff in Sydney became the first radio interferometer.
The plane of focus a tilted lens tilts
An ordinary camera focuses on a plane square to its axis, so a road receding from it, a table top or a field of flowers can be sharp only over the depth an aperture allows. Tilt the lens, or the sensor, and the plane of sharp focus tilts too, by a rule a surveying officer patented in 1904: the plane of the subject, the plane of the lens and the plane of the image always meet in a single line. Turn the focus and the plane of focus does not slide back and forth; it swings about a fixed hinge. The same geometry lets an eye camera see the whole front of the eye in one exposure and a lidar keep a laser beam kilometres long in focus.
The colour at which glass disappears
Lower a glass rod into an oil of the same refractive index and it vanishes, except for a faint coloured outline. The outline is the clue. Glass and oil disperse light differently, so their indices can agree at only one wavelength; at every other the glass is still there, bending and scattering a little. Grind the glass to powder and pack it in the oil, and the mixture is clear at that one wavelength and opaque at the rest — a colour filter made of nothing but two transparent materials, whose colour moves by a whole hue for a few degrees of warming.
The rough surface that is a mirror at a glance
A sheet of office paper is matt from above and shines when sighted along its surface. A choppy sea scatters a radar beam from overhead and returns it like a mirror near the horizon. An X-ray mirror polished to a third of a nanometre is still rough to X-rays except at angles below a degree. All three are one rule: two rays reflected from points at different heights differ in path by twice the height times the sine of the grazing angle, so roughness is measured in wavelengths times that sine — and every surface, however rough, is a mirror for light that skims it closely enough.
The surface every ray is normal to
Light from a point, bent by any number of lenses and mirrors, comes out as a tangle of rays that no longer meet anywhere. Hidden in the tangle is a surface every ray crosses at a right angle: the set of points the light reaches at the same optical time. That a surface always exists is a theorem two centuries old, and it is the reason a modern wavefront sensor works — an array of tiny lenses measures only the direction each patch of light is travelling, and the measurements can be added up into a shape only because they are the slopes of one.
The dark lines a wave cannot avoid
Overlap three waves of light and there are places where they cancel exactly — not along fringes, as two waves cancel, but at isolated points, round which the phase of the light turns through a full circle. They cannot be removed by any small change, they can only be created or destroyed two at a time, and random light is full of them, about three to every square wavelength. A grating with a fork in it writes one into a beam on purpose, and the beam that comes out has a dark core and carries angular momentum in its twist.
The drop that cannot hold the light it lets in
Light inside water meeting the surface at more than 48.6° is totally reflected, and every raindrop is made of water. Yet no ray of sunlight that enters a raindrop is ever totally reflected inside it. A sphere's geometry forbids it: a ray refracted on the way in meets the inside of the surface at its refraction angle, and keeps meeting it at that same angle every time it bounces, and that angle is always smaller than the critical one. The light leaks out a little at every bounce, which is why there are rainbows at all. Light born inside the drop is another matter, and a sphere can keep it for ever.
The half cycle a focus adds
A beam of light brought to a focus and allowed to spread again comes out half a wavelength ahead of where a plain wave of the same colour would be, although no part of it travelled faster than light. Louis Georges Gouy found the shift in 1890 by interfering a focused beam with an unfocused one. It is the price of confinement: a beam narrow enough to focus is a spread of directions, the parts travelling at an angle make slower progress along the axis, and the spread is greatest at the focus. The same half cycle decides the frequencies at which every laser cavity can resonate.
The beam that focuses itself
In glass the refractive index rises very slightly with the intensity of the light, so a beam that is brightest in the middle writes a converging lens into the glass it is crossing. Diffraction spreads it at the same time. Both effects grow in the same proportion as the beam is narrowed, so neither can win by a change of size — only by a change of power. Above a critical power, 4.3 megawatts in fused silica, the beam is forced to collapse within a finite distance, and every high-power laser is built around not letting that happen where it is not wanted.
The lens with its glass taken out
Snell's law turns a ray at a surface by an angle set by the slope of the surface where the ray crosses, and the glass behind the surface does not enter it. So a lens can be sliced into rings, the glass between the slopes thrown away, and the rays will not notice. Fresnel did it for lighthouses in 1822. The waves notice — every step cuts a few hundred wavelengths out of them — unless the steps are made exactly one wavelength deep, and then the lens becomes something else: a diffractive element whose colours run backwards, and which can cancel a glass lens's colour with a twentieth of its power.
The two mirrors that hold a beam
A laser is two mirrors facing each other, and the light in it makes thousands of round trips before it leaves. Whether a ray stays between the mirrors for ever or is walked out after a few bounces depends on a single number, built from their spacing and their curvatures, and the answer has a sharp edge: two flat mirrors sit exactly on it, which is why the first lasers were so hard to align. The criterion is the one that decides whether a pumped swing grows, whether a wave crosses a crystal, and whether a particle beam stays in an accelerator.
The focus that is two lines
A lens curved more steeply in one direction than the other has no focus. It brings light to a short line at one distance, to a line at right angles at another, and in between to an ellipse that turns from wide to tall and is round at exactly one place. Most eyes are built this way to some degree, so do mirrors used at an angle, and the best any ordinary lens can do for them is to put that round patch on the retina. A cylinder, curved in one direction only, can do what no sphere can: move one line onto the other.
The spikes a bright star wears
Photographs of bright stars show them with spikes — four in most telescope pictures, eight in the James Webb Space Telescope's, none at all in some amateur images. The spikes are not in the sky and not in the camera. They are the shadows of whatever holds the telescope's secondary mirror, transformed by diffraction into streaks at right angles to themselves, and they can be counted, predicted and removed by reading a telescope's pupil the way diffraction reads it: as a pattern whose Fourier transform is the star's image.
The hooks that weigh an absorption line
A strong absorption line is black at its centre, and how black it is says almost nothing about how many atoms made it — double them and the line hardly darkens. The atoms are still there, and they still bend light: on either side of the line, where the vapour is transparent, its refractive index rises and falls by an amount proportional to their number. In 1912 Dmitry Rozhdestvensky found a way to read that index straight off a photograph. Interference fringes passed through a spectrograph curl into hooks beside the line, and the distance between the hooks, squared, counts the atoms — whatever the line's shape and however saturated its core.
The roof that splits a binocular's image
A slim, straight binocular turns its image upright with a roof — two glass faces meeting at a right angle, which reflect every ray twice by total internal reflection and lose no light at all. They lose sharpness instead. Total reflection shifts the phases of the two polarisations of light by different amounts, and the half of the beam on one side of the roof's edge meets the two faces in the opposite order from the other half. The halves leave in different polarisations, interfere only partly at the focus, and every star becomes a slightly doubled smudge — unless a coating a fraction of a micrometre thick makes the glass behave like a mirror.
The twist that carries light round a corner
Between two crossed polarisers, a sandwich of liquid crystal a few micrometres thick turns black to white. Its long molecules lie flat, but turned a quarter-turn from one face of the layer to the other, and polarised light entering along the molecules at one face comes out along them at the other — rotated by ninety degrees and able to pass the second polariser. Charles Mauguin found in 1911 that a slowly twisting birefringent layer drags light's polarisation round with it. Sixty years later the effect became the liquid-crystal display. The layers in those displays, though, are too thin to drag anything: the light inside them wanders off and comes back, at exactly the right thickness.
The light that comes back bluer when it is warm
Shine a green laser on a crystal and a tiny fraction of the light comes back with a different colour: a little redder, having given a quantum of energy to one of the crystal's vibrations, or a little bluer, having taken one. Losing energy is always possible. Gaining it needs a vibration already excited, so the bluer light is fainter, and fainter still the colder the crystal. The ratio of the two is a Boltzmann factor, fixed by quantum statistics and nothing else. It is a thermometer that needs no contact and no calibration — and in a long glass fibre, it is thousands of thermometers at once.
The specimen that is invisible until its light is delayed
A living cell in water is nearly transparent: it delays the light passing through it by a fraction of a wavelength and absorbs almost none, and a perfect microscope shows it as nothing. The delay is there in the light, and the eye cannot see a delay. Frits Zernike's remedy was to delay a different part of the light — the part the cell did not scatter — by a further quarter of a cycle, at the one place in a microscope where it is separated from the rest. The invisible phase becomes brightness, the cell appears, and the price is a bright halo round everything large.
The beam that does not spread and the price it pays
Pass a laser beam through a shallow cone of glass and it emerges as a thin bright line of light, a core a few tens of micrometres wide that keeps its width for half a metre, where a beam focused to the same width by a lens would have doubled in a few millimetres. It seems to defeat diffraction. It does not. The core is not made of the light that was in it a moment before; every point along it is fed by a fresh ring of the aperture, and the core holds about one per cent of the beam's power. The rest is in the rings, and the rings are what pays for the line.
How far the air lets a mountain be seen
A dark mountain on the horizon fades not because its light grows too faint to see but because the air between it and the eye glows. Sunlight scattered into the line of sight fills the dark ridge in until it matches the sky behind it, and its contrast falls as a simple exponential of the distance. With the eye's threshold at two per cent, that gives a visual range of 3.912 divided by the air's scattering coefficient: about 337 kilometres for perfectly clean air in green light, far less in the hazes real air carries. The same arithmetic makes near ridges blue and far ones pale.
The cell weighed by the light it delays
A living cell is nearly transparent, and the light that passes through it comes out almost as bright as it went in. What changes is its timing: the cell's proteins and nucleic acids raise its refractive index a little above the water around it, and the light is delayed by a fraction of a wave. Measure that delay at every point of the image and add it up, and the sum is the cell's dry mass — the weight of everything in it except water — whatever shape the cell takes and however much water it holds. The water drops out because the medium is water too; the shape drops out because the delay is an integral of concentration along the path. Light becomes a balance that weighs a living cell to a part in a thousand without touching it.
The delay a flat lens has no room for
A glass lens is thick in the middle for a reason that is easy to miss. To focus light of every colour at one point, a lens must do more than bend each colour by the right amount: it must make every part of a light wave arrive at the focus at the same moment, and the light passing the edge has further to go. The glass in the middle is what holds the central light back to wait for it. A lens made flat — a kinoform, a metasurface a micrometre thick — has nowhere to keep that delay. The geometry of the focus sets how much delay is needed, the thickness sets how much is available, and between them they cap how large an achromatic flat lens can be: tens of micrometres, not centimetres.
The width a perfect laser still has
A laser's light is the nearest thing to a single pure frequency that anything makes, and it is still not one. Every photon spontaneously emitted into the lasing mode adds a kick of random phase, and because nothing in a laser cares what its phase is, nothing pulls the phase back: it wanders, and a wandering phase is a line of finite width. Schawlow and Townes worked out how wide in 1958, before any laser had been built. For a milliwatt helium–neon laser the answer is a few thousandths of a hertz, a coherence length a quarter of the way to the Sun — and no real laser of that kind has ever come close, because mirrors move. For a semiconductor laser the answer is megahertz, and the measured lines were wider still, by a factor nobody expected.
The grid that stops the light along its wires
A row of parallel wires looks like a fence, and a fence ought to let through a wave that shakes along its slats. A grid of wires does the opposite. A field along the wires drives electrons up and down them, the currents re-radiate, and the wave is reflected; a field across the wires can move charge only through a wire's width, and passes. Heinrich Hertz used such a grid in 1888 to show that his new waves were polarised. The same grid, shrunk two hundred thousand times to wires 140 nanometres apart, polarises visible light in projectors — and every sheet of polarising plastic is the same idea made from chains of iodine.
The windscreen that feels the rain
Behind the rear-view mirror of most modern cars a small box decides when the wipers should run, and it does so without looking at the rain. It shines infrared light into the windscreen at forty-five degrees, steep enough to be trapped inside the glass by total internal reflection, and counts how much comes back out of the far end of the glass a few centimetres away. A raindrop on the outside changes the medium the glass is touching from air to water, and water's critical angle against glass is sixty-one degrees, not forty-one: at forty-five the light is no longer trapped, and nearly all of it leaves into the drop. The sensor measures the area the rain is touching, and the rain rate from how fast that area grows.
The eye that loses its lens in water
Eyes opened under water see only a blur, and the reason is not water in the eye or salt or murk. The human eye does two-thirds of its focusing not with its lens but with the curved front of its cornea, whose power comes from the jump in refractive index between air and tissue. Water is almost as dense optically as the cornea, and the jump all but disappears: about forty-three of the eye's sixty dioptres vanish, and the focus moves to three times the eye's own length behind the retina. A mask gives the cornea back its air; a small pupil and a hard squint buy back a little; animals that hunt in both worlds have flattened their corneas and given the work to the lens.
The rings no ray can reach
Look down from an aircraft at a cloud, and round the aircraft's shadow there may be coloured rings, centred exactly on the point opposite the Sun. Mountain climbers have seen them round their own shadows for centuries, and every drop in that cloud is a sphere of water. Yet ray optics says that a drop of water cannot send light straight back. Its best ray falls fourteen degrees short. The glory lives entirely in those fourteen degrees.
The eye a fly cannot afford
A compound eye is built from thousands of tiny straws, each looking in one direction. Wide straws look coarsely at the world, and narrow ones blur what they collect by diffraction, so there is a best width, and it depends only on the size of the head. To see as sharply as a person, an eye of this kind would need to be about twelve metres in radius. A single-lens eye gets the same result with a pupil of under two millimetres.
The absorption measured with a stopwatch
The usual way to measure how much light a gas absorbs is to compare a beam before and after, and a very weak absorption vanishes in the flicker of the lamp. Trap a pulse between two excellent mirrors, and it bounces for ten kilometres inside a tube a metre long, leaking out a little at each bounce. How fast that leak dies measures the gas, and how bright the pulse began does not matter at all. A brightness measurement has become a measurement of time.